|
|
|
Menu |
|
|
 |
|
Faculty
Full Time Faculty
| Steve Baker,
classical & jazz piano studies |
|
 |
Steve Baker,
Music Department Chair, has been
very active as a performer since 1969. In his career as a
pianist, he has performed with recording artists such as
Eric Marienthal, Mundell Lowe, Charles McPherson, Kenny
Goldberg and Frankie Avalon . His groups have opened
concerts for artists such as Michael Franks, Rita Coolidge,
The Platters, The Coasters, The Diamonds, Little Anthony ,
the Nelson Riddle Orchestra and Jack Mack and the Heart
Attack. The Steve Baker Trio specializes in Brasilian and
Afro-Cuban influenced jazz. They have performed in many
varied venues with artists such as Cuban drumming virtuoso
Ignacio Beroa, Brasilian recording artist, Josias Dos
Santos, Latin jazz recording artist Kenny Goldberg and 50's
rock and roll tenor sax veteran, John "Hoot" McDonald.
A resident of the San Diego area since 1960, Mr. Baker's
music study has included training in both classical and jazz
piano and composition. He holds degrees in music from
Grossmont College (AA), UCSD (BA) and SDSU (MM in Piano
Performance). Mr. Baker has performed in numerous master
classes including those of Misha Dicter, Marion Hall, Frank
Weins and Loren Hollander. During post graduate studies at
Cal Poly, San Luis Obispo, he studied with Billy Taylor,
David Baker, Gerald Wilson and Bobby McFerrin.
Mr. Baker has also been a founding member of
the Grossmont College Music Department Faculty Jazz Quintet
called
Ars Nova.
Mr. Baker has been a member of the Grossmont College Music
Department faculty since 1985. His classes include music
theory, piano performance and music technology.
Office: 223
Phone: (619) 644-7261
E-Mail:
Steve.Baker@gcccd.edu |
Fred Benedetti, classical guitar studies |
|
 |
Fred Benedetti,
Director of Guitar Studies, was born in
Sasebo, Japan and began playing the guitar at age 9. In 1986
he was one of 12 guitarists chosen worldwide to perform in
the Master Class of Andrés Segovia at USC where Guitarra
Magazine wrote, "...Fred Benedetti amazed the audience with
his performance of the (Bach) Chaconne..." He has also been
a performer for the master classes of Pepe Romero,
Christopher Parkening, Federico Moreno-Torroba, George
Sakellariou, and David Grimes. Fred has performed in the
United States, Canada, Taiwan, England, Germany, Mexico, the
Czech Republic, and locally with the San Diego Symphony, the
San Diego Opera, the Starlight Opera, the American Ballet
Company, the Old Globe Theatre, Luciano Pavarotti, and jazz
artist Dave Brubeck.
Presently he teaches at Grossmont College where he is chair
of guitar studies, and is a member of the guitar faculty at
San Diego State University with George Svoboda, Robert
Wetzel and Celin Romero. Fred is listed in the prestigious
"Who's Who Among America's Teachers-2002" and received an
"Outstanding Faculty Award of the Year in Music," in 2001
from SDSU, the "NISOD" Excellence in Teaching award from the
University of Texas at Austin in 1992 and an "Outstanding
Chair" award in 1990 from Grossmont College.
Equally at home playing classical
music or contemporary music, he records on the SBE label and
DOMO records with four noted ensembles: Keltik Kharma (a
celtic band), The Odeum Guitar Duo, recently given the honor
by the magazine, Acoustic Guitar, as being one of the ten
best independently produced guitar CDs for the year 2000,
"Blurring the Edges" a recipient of the 1994 San Diego Music
Awards "Best Pop-Jazz" album of the year featuring jazz
musicians Peter and Tripp Sprague, and the Benedetti/Svoboda
Guitar Duo. As a BMI affiliated composer, Fred has written
numerous contemporary pieces for the international CD
library company Network Productions and as a studio musician
for 20 years his playing is featured on over 60 CD's,
numerous movie soundtracks, and TV commercials. He has
shared the stage with Art Garfunkel, Basia, Michael Franks,
Mark O'Connor, Michael Hedges, and Ottmar Liebert, and has
recorded with Willie Nelson, Juice Newton, Paul Overstreet,
Patty Loveless, Tom Barabas, Big Mountain, Matthew Lien,
Ronny Robbins and William Lee Golden. He has performed for
dignitaries such as the King & Queen of Malaysia, Mikhail
Gorbachev and President Jimmy Carter.
Fred's academic experience includes
being Associate Professor of Music, Grossmont College 1986
to Present. Full Time Tenured. His teaching assignments have
included Music Theory 1-4, Classical Guitar 1-3, Class
Guitar 1-2, Theory for Guitar 1-2, Guitar Ensemble, MIDI
recording and sequencing, Music History. He is Head of
Guitar Studies, Grossmont College Music Department 1986 to
present. At San Diego State University, a Music Instructor
from 1993 to Present. Fred was Chairman, Grossmont College
Music Department 1989 to 1992, Music Instructor at the
Bishop's School Guitar Instruction, 9/84 to 9/86.
Other experience includes • Young
Audience Program Educational Concerts for Secondary Schools,
9/81 to 9/86 • Performance as guitar soloist, member of The
Odeum Guitar Duo, member of The Benedetti/Svoboda guitar
duo, member of "Blurring the Edges" jazz ensemble. 1980 to
present. AWARDS: • Faculty member of the year, Music
Department • San Diego State University, 2001 • Outstanding
Music Educator Award, San Diego Mesa College, 1997 • NISOD
Excellence in Teaching Award, University of Texas at Austin,
1992 • Outstanding Chair, Grossmont College 1990 •
Performance tour with Grammy award winner Mark O'Connor,
2000-2001 • Performance for Mikhail Gorbachev, 1997 •
Performance for the King & Queen of Malaysia , 1995 •
Performance with Luciano Pavarotti and San Diego Symphony,
San Diego, 1995 • Master class with Andrés Segovia,
University of Southern California 1986 (One of twelve
guitarists chosen worldwide) • Performances with Dave
Brubeck Quartet, San Diego, 1983.
Fred's pubilcations include: • Class
Guitar II Haynach Music Publishing, 2001 • Music Theory for
Guitar Haynach Music Publishing, 1989 • An Introduction to
Class Guitar Haynach Music Publishing, 1988 CONCERTO
REPERTOIRE: • Concierto de Aranjuez-J. Rodrigo • Fantasia
Para une Gentilhombre-J. Rodrigo • Concierto Madrigal-J.
Rodrigo • Concierto Andaluz-J. Rodrigo • Concerto in A - M.
Giuliani • Concerto in E - J.S. Bach • Concierto Romantico -
Craig Russell.
Fred's recordings include: Fred
Benedetti & Peter Pupping guitar duo, 1996 to Present •
CD's: "Morning has Broken" 2000 "Here Comes the Sun" 1997
The Odeum Guitar Duo, 1995 to Present • CD'S: "Forgotten
Romance" 2000 • "Concert Hall Classics" 1998 Winner of
Acoustic Guitar magazine "Best Classical Recording"
2/15/2000 • The Benedetti/Svoboda Guitar Duo, 1985 to
Present • CD'S: "Echoes of Spain" 2002 "Maestrale" 2001
"Spanish Gardens" 1999 "Flamenco Dreams" 1998 "Zephyr" 1996
"Scirocco" 1995 • BLURRING THE EDGES Contemporary Jazz
Quartet, 1989 to Present CD'S: "Sombra" 2002 "Blurring the
Edges" 1994 Winner "Best Pop-Jazz album of the Year" San
Diego Music Awards 1994 • ARS NOVA Contemporary Jazz
Quartet, 1989 to 1993 CD: "Ars Nova" 1992 • Zmiros Klezmer
Quartet, 1982 to Present CD's: "Cholent with Huckleberry"
1978 "Eclectic Klezz" 1979 • Orion Guitar Duo, 1977 to 1984
Record Album: "The Orion Duo Performs" 1981 • Orion Guitar
Quartet, 1975 to 1977 Record Album: "Works by Telemann,
DeFalla, Rodrigo, and Others" 1977 • Additional CD's:
featuring Fred Benedetti "The Guitar Ensemble II" "Keltik
Kharma" "Alterations Garden" with Jeff Basile "Network
Music-SOLOS-125" "Network Music-SOLOS-136" "Network
Music-SOLOS-213 "Network Music-153" "Network Music-170"
"Network Music-173" "Soliloquy" with Peter Sprague "In So
Many Words" with Matt Lien "Touching the Earth" with Matt
Lien "Voyage to Paradise" with Matt Lien "Bleeding Wolves"
with Matt Lien "Night Orchestra" "The Stars Come Out for
Christmas" "SONOR Ensemble-UCSD" "Acoustic Variations"
"Nouveau Classical" with Tom Barabas.
Fred's professional affiliations
include: American Federation of Musicians, Local 325 BMI as
writer and publisher: "Haynach Music".
Fred's related expertise includes: •
Web-page designer and web-master for "Odeum Guitar Duo,"
"Benedetti & Svoboda," & "Keltik Kharma," web sites. •
Expertise in Adobe GoLive, Adobe Premier, and Adobe
Photoshop software. • Expertise in Digidesign's Pro Tools
software for professional recording, editing, and mastering
of 24 bit digital soundfiles including expertise in 5.1
surround mastering. • Co-founder of SBE records, a record
company that has produced 35 CD's from 1994-2001.
Mr. Benedetti has
also been a founding member of the Grossmont College Music
Department Faculty Jazz Quintet called
Ars Nova.
Fred
Benedetti has been a member of the Grossmont College Music
Department faculty since 1985.
His classes include class guitar, classical guitar, general
music and guitar theory, and guitar ensemble.Office:
230-E
Phone: (619) 644-7259
E-Mail:
Fred.Benedetti@gcccd.edu OR
fbenede1@san.rr.com
More
information on Fred Benedetti, music links, and interests! |
Derek Cannon, jazz
& afro-cuban studies |
|
 |
Derek Cannon, Jazz
Studies, is an accomplished performer, as well as music
educator having earned a Bachelor of Arts in Music, and
Master of Music degrees from San Diego State University (SDSU).
Since receiving his M.M. in Jazz Studies from SDSU, Derek
has maintained an active performing career which includes
performances with Natalie Cole, Clark Terry, The Four Tops,
The Temptations, and Jon Faddis to name a few. Derek has
also written and produced music for several recording artsis
in the Chiacago area. Internationally, he has performed at
The Montreaux Jazz Festival in Switzerland, The North Sea
Jazz Festival in The Netherlands, The Umbria Jazz Festival
in Italy, and The Montreal Jazz Festival in Canada.
Mr.
Cannon's recent recordings include Lines and Spaces
"Shades of Brown" (1998), Ellen Johnson "Chinchilla
Serenade" (1998), Felton Offard "Between Friends"
(1998), and the Chicago Jazz Ensemble "Chicago Suite #1"
(1996).
In addition to being a member of the music faculty of
Grossmont College, Mr. Cannon has also chaired the Jazz
Studies Department at Chicago State University (1995-1999).
Derek Cannon has
been a member of the Grossmont College Music Department
Faculty since 1993. His classes include Music Theory,
History of Jazz, History of Rock, and the Afro-Cuban
Ensemble.
In 2002, Derek
was elected to the prestigious "Who's Who Among America's
Teachers."
Students of Mr.
Cannon may visit his personal webpage at:
http://www.derekcannon.pageout.net
Office 230-E
Phone (619) 644-7257
E-Mail: Derek.Cannon@gcccd.edu |
Paul Kurokawa, jazz studies |
|
 |
Paul
Kurokawa, Director of Jazz Studies,
is enjoying his fourth year as a full-time music
instructor at Grossmont College after having taught at
Saddleback, Palomar, and Mt. San Jacinto Colleges. In
addition to his teaching, Paul enjoys a varied performing
career. He has been a performer in Southern California for
eighteen years and has given concerts as an instrumentalist
and as a vocalist in France, England, Belgium, Germany,
Switzerland, Austria, Luxembourg, Italy, Russia, Ukraine,
Moldova, Israel, and Honduras as well as the United States.
He has also had the pleasure of performing in Carnegie Hall
in New York City. Accomplished on both brass and woodwind
instruments, Paul musical abilities include all saxophones,
flute, flugelhorn, trumpet, and piccolo trumpet.
Mr.
Kurokawa has been a member of the Grossmont College Music
Department Faculty since 1995. His classes include theory,
performance studies, jazz and concert bands.
Office: 222
Phone: (619) 644-7260
E-Mail:
Paul.Kurokawa@gcccd.edu |
Randall Tweed, choral/vocal/orchestral studies |
|
 |
Dr. Randall Tweed,
Director of Choral/Orchestral Activities at Grossmont
College, has been conducting opera, symphony, and chorus
throughout Southern and Baja California since joining the
music faculty in 1986. Dr. Tweed has frequently appeared as
guest conductor on concert music series throughout Southern
California including the Cabrillo Chamber Orchestra, the
United States International Orchestra, Spreckels Organ
Society, and various educational and church music concert
series. In the area of education Dr. Tweed has appeared as
adjudicator for the Music Educator’s National Conference,
the Music Teacher's Association of California, the Grossmont
Community Concert Association Instrumental Scholarship
Auditions, and has twice appeared as conductor for the
Suzuki awards concerts.
Dr.
Tweed’s performing experience is both in the areas of vocal
and instrumental fields winning competitions sponsored by
the La Jolla Civic University Orchestra and the Musical
Merit Foundation of Greater San Diego. Dr. Tweed received
the doctorate in musical arts (D.M.A.) from the School of
Music at Arizona State University, located in Tempe,
Arizona. He has also completed two Master of Music degrees
from the University of Southern California in addition to
pursuing post-graduate study in Berlin, Germany (studying at
the Berliner Kirchenmusikschule) where he was a recipient of
a Konrad Adenauer Foundation
Fellowship.
In addition to expanding both the
orchestral and choral programs at Grossmont College, Dr.
Tweed initiated a series of concert programs dedicated to
educating East County’s children beginning in March of 1993
organizing a "musical petting zoo" for the children, under
the supervision of the members of the Orchestra and Master
Chorale, to "touch," "pet," and "play" the instruments of
the orchestra just prior to hearing the actual concert.
Aside from giving the members of the
Grossmont
Symphony Orchestra and
Grossmont Master Chorale the experience of learning and
performing an extensive variety of orchestral and choral
literature, Dr. Tweed has given those members the
opportunity to acquire greater stamina and self-assuredness
by scheduling extra performances off campus. Being a civic
minded person as well as an artist and educator, Dr. Tweed
has contributed to the community by bringing his wonderful
orchestra and chorale to areas that otherwise would have
"missed out." In addition, he has succeeded in integrating
community and college life by providing quality art to his
East County audiences.Office: 230-D
Phone: (619) 644-7298
E-Mail:
Randall.Tweed@gcccd.edu
Information for Dr. Tweed's GSO members.
Information for Dr. Tweed's Music Theory Students.
Information about the Grossmont Master Chorale
Information for Dr.
Tweed's Voice Class Students |
Adjunct Faculty
|
Ken Anderson,
gospel choir, vocal studies |
|
 |
Ken
Anderson, Gospel Choir,
is an internationally
recognized Gospel musician as well as being the music
director of the Martin Luther King, Jr. Community Choir San
Diego (MLKCCSD), commonly referred to as the MLK Choir. The
MLK Choir provides scholarships for graduating high school
seniors in the visual and performing arts (www.mlkccsd.net).
Ken is also a Lecturer at the University of California San
Diego, and music director of the UCSD Gospel Choir. He is
also a music pastor at Scott Memorial Community Church. In
addition to his music director responsibilities, Ken
maintains a private voice studio, as well as leading Gospel
music workshops throughout the U.S. and Europe. He is also a
foster father to nine (9) sons—all grown!
Ken has been a member of
the Grossmont College Music Faculty since
the Fall of 2006. His classes include
Gospel Choir.
Office: 230-I
Phone: 644-7254
E-Mail:
ken.anderson@gcccd.edu |
Ken Ard,
music education/piano studies |
|
 |
Ken Ard, music
education/piano studies, received a Bachelor of Arts
Degree in Piano Performance / Music Theory and Composition
from the University of New Orleans in 1974, and a Master of
Musical Arts Degree in Piano Performance from the University
of Southern Mississippi in 1976, followed by post-graduate
keyboard studies with jazz great Ellis Marsalis. Ard has
taught Class and Private Piano in both jazz and classical
idioms, Rudiments of Music, Music Theory, Music History,
Music in the Classroom, and Commercial Music Skills. In
addition to his teaching responsibilities at Grossmont
College, Mr. Ard also teaches many of the same music courses
at Southwestern College in nearby Chula Vista, CA. Moreover,
he has been the musical director for Southwestern College's
Jazz Vocal Ensemble for three years.
Mr. Ard performs jazz on a regular basis at various clubs
throughout San Diego, both as a single act and with his
combo, a New Orleans Rhythm and Blues group, Etouffee.
In addition to his musical performing and teaching career,
Mr. Ard has composed two original musicals, The Delta
Queen, and Storyville, A Sweet Sportin’ Proposition.
Ard has done extensive musical direction for theater
productions in New Orleans and San Diego. A compilation of
Ard’s original tunes were produced and released on a CD
recording, titled Gumbo in My Blood.
Ard is currently a member of the Music Teacher's Association
of California (MTAC), as well as the American Society of
Composers, Authors, and Publishers (ASCAP). Mr. Ard is
currently the pianist / music coordinator at Pacific Church
of Religious Science in San Diego.
Ken Ard has been a member of the Grossmont College Music
Faculty since 1988. His classes include Introduction to
Music, and Class Piano.
More information on Ken Ard.
Office: 230-I
Phone: 644-7254
E-Mail:
kardrive@yahoo.com |
Randy Beecher, piano
studies, general music |
|
 |
Randy Beecher, piano
studies and music history, is a well known member of
San Diego's professional musical community. Mr. Beecher
graduated from SDSU with a Bachelor of Arts (B. A.) degree
in Music and a Master of Music (M. M.)degree in Musicology.
Mr. Beecher has a 24-year career as a musician, specializing
in piano entertainment. As a performer, he is renown for his
relaxed stage presence and ability to encourage audience
participation. Beecher's musical prowess and diversity span
the early classics of the '30s and '40s -- George Gershwin,
Cole Porter, Irving Berlin -- to modern composers such as
Andrew Lloyd Weber and Marvin Hamlisch.
His public performances include Humphrey's, Hotel del
Coronado, Red Tracton's, L'Auberge Del Mar, La Valencia
Hotel, Bahia Hotel, Town & Country Hotel, and the Westgate
Hotel. He also has performed privately for numerous
celebrities including: Ann Bancroft and Mel Brooks, Dick Van
Patton, Jenny and Sid Craig, Tim Conway, Dick Enberg, Tony
Gwynn, Tommy Lasorda and members of the Los Angeles
Dodgers. Randy even shared a piano bench with
internationally recognized composer/arranger Burt
Bacharach. Mr. Beecher continues to be sought after for
weddings and other social and business functions nationally.
His regular performances at
Mille Fleurs,
in affluent Rancho Santa Fe, continues to draw a local and
national following.
For more information on Randy Beecher, including
professional bookings, please visit his homepage at:
www.bestpianobar.com,
and also
www.profbeecher.com
Randy Beecher joins the Grossmont College Music Faculty
beginning in the Fall 2000 semester. His course schedule
includes Class Piano and Great Music Listening.
Office: 230-I
Phone: (619) 644-7454 x3617
E-Mail: Prof.B@cox.net |
Douglas Booth, contemporary guitar studies |
|
 |
Doug Booth,
contemporary guitar studies, is both an instructor and
a performer of guitar and bass. Beginning at the age of
ten, Doug has studied piano, flute, and percussion, in
addition to the bass and guitar. Interested in many
different styles of music, he eventually found that his ear
"bent" towards the jazz guitar styles of Wes Montgomery, Joe
Pass, and early George Benson. By age fifteen Doug was
chosen to play with the Santa Clara Honor Jazz Band and a
year later with the California All State Jazz Band.
Doug has recently completed work on a new CD. Access
to his "mp3" site.
You can hear Doug Booth on a variety of recordings including
the recordings of the jazz fusion group,
Ars Nova, and Zappa guitarist
Mike Keneally's
internationally released CD's.
Mr. Booth is currently performing with "Rockola"
which can be found performing locally, and internationally.
He can also be seen playing keyboards with "The
Steely Damned."
Mr. Booth has also been a founding member of the Grossmont
College Music Department Faculty Jazz Quintet called
Ars Nova
For information on
Doug Booth's music business, visit:
www.soundboothproductions.com
Doug Booth has been a member of the
Grossmont College Music Faculty since 1991. His classes
include Class Guitar I, and Music Theory for Guitar II.
Office: 230-I
Phone: 644-7254
E-Mail:
guitartoca@aol.com |
Manny Cepeda,
afro-cuban studies, music theory |
|
 |
Manny
Cepeda, Afro-Cuban studies,
hails from San Juan, Puerto Rico. His musical
experience of over 48 years makes him a fountain of
knowledge in the Latin Music genre. He has a Bachelors
degree in music from Illinois State University, and a
Masters Degree in Performance from Ellington University. He
has performed professionally since the age of 7 years old
when he was the leader of a 14-piece Salsa Band and
performed in National TV for the Mid-day variety show in San
Juan Puerto Rico’s Channel 4. After his musical education
in the Conservatory of Music Pablo Casals, in Puerto Rico,
and finishing his musical degrees, Manny joined the US Navy
Music Program in 1973. He has lead many Navy Band
throughout the US and Overseas. He was the leader of the
famous Navy Steel Band and the world traveled U.S. Navy Show
Band. He toured the entire continent of South America and
West Africa doing 7 world tours. He currently works as the
Assistant Director for the CINCSOUTH Band and is also an
arranger for many enterprises and bands in the US.
Art Walk 2004 Review
“One of the
most promising artists with a background of rich music from
the famous Bomba y Plena “Cepeda” family of Puerto Rico is
Manny Cepeda. Since the age of 7, Manny has been performing
first as the “Timbales Player” in the acclaimed variety TV
“Show de Vigoreaus” in San Juan, Puerto Rico’s Channel 4,
and with other famous bands such as “Babo Jimenez, Ricardo
Ray, Willie Colon and others.
Manny’s talents expanded further as his musical knowledge
increased and has also developed into a superb composer and
arranger. He is now bringing his collection of Salsa/Merengue
music to the public and it’s sure to be a hit with all the
audiences. His energetic beat and the richness of his songs
choruses make for this “Paloma Collection” an album to be
remembered. Stay tuned for more of Manny Cepeda’s music.”
Robert Evans, Owner & Art Director, Little Italy Art Walk
2004
For more
information on Manny Cepeda, please visit his website at:
www.mannycepeda.com
Office: 230-A
Phone: (619) 644-7254
E-Mail:
manny.cepeda@gcccd.edu |
Janelle DeStefano,
vocal studies |
|
 |
Janelle DeStefano, Voice,
received her Master of Music Degree (M.M.) in Voice
Performance and Pedagogy from Westminster Choir College
of Rider University (Princeton, NJ) and a Bachelor of
Arts (B.A.) in Music from the University of California
at Santa Cruz, where she was a Phi Beta Kappa inductee,
and graduated with Porter College Honors. She has
trained under several noted voice teachers including
Carol Neblett, Mary
MacKenzie,
Zehava Gal, Margaret
Cusack, and Patrice
Maginnis, and has won a
number of vocal competitions including the Metropolitan
Opera National Council Auditions, San Diego District
(2001-02 and 2002-03), the National Association of
Teachers of Singing, San Diego (2001) and the Musical
Merit Foundation (2000).
A versatile performing artist, Mrs. DeStefano is making
her mark on regional operatic, orchestral and musical
theater stages across the United States, performing with
Ash Lawn Opera Festival in Virginia, Opera Festival of
New Jersey, Westminster Opera Theatre, Shakespeare Santa
Cruz, the Lyric Theatre of Santa Cruz, the Jarvis
Zarzuela Festival in Napa California, and San Diego
Opera. A member of the San Diego Opera Ensemble from
2002-2005, Mrs. DeStefano sang the roles of Cinderella
in an English adaptation of Rossini’s La
Cenerentola, and
appeared as both Third Lady and
Papagena in Mozart’s The Magic Flute. Her
portrayal of the gypsy, Maria, in La
Alegria de la Huerta at
the Zarzuela Festival in Napa, California (now available
on DVD through the Jarvis Conservatory) was hailed as
the “pick of the Chueca” by
Zarzuela.net. In 2004, Mrs. DeStefano made her
San Diego Opera debut as the Second Handmaiden in
SDO’s critically acclaimed
production of Turandot.
During San Diego Opera’s 2005 International Season she
understudied the roles of Dorabella
(Cosi fan
tutte) and Erika
(Vanessa). Equally comfortable on the concert stage,
Mrs. DeStefano has rendered dramatic performances of
works such as the Bach
Magnificat, the Vivaldi
Magnificat, Handel’s
Messiah, the Mozart Requiem, and the Bach
Mass in B-minor. Most recently, she was heard in
Beethoven’s Ninth Symphony, in a return
engagement with the Inland Valley Symphony. A skillful
and passionate recitalist, Mrs. DeStefano has performed
all manner of art song and light classical repertoire,
and has a personal interest in the Zarzuela repertoire.
In addition to performing, Mrs. DeStefano has taught
voice for more than a decade at both collegiate and
community music schools, as well as in her own
private vocal
studio. An Adjunct Faculty Member of the University
of San Diego since 1999, she has taught individual and
group classes in vocal technique and performance as well
as Opera Workshop. Further, she served as departmental
coordinator for applied music at USD from 2001-2003. In
addition, she has taught voice and beginning music
theory at the University of California, Santa Cruz.
Interested in teaching singing and music to all ages,
she has also taught for the Center Stage School in New
Jersey and for San Diego Junior Theater. Mrs. DeStefano
is an active member of the National Association of
Teachers of Singer (NATS), Opera America, and the
American Guild of Musical Artists (AGMA). A member of
the Grossmont College Music
faculty since 2005, Mrs. DeStefano teaches Group Voice,
and maintains a private vocal studio.
Office: 230-I
Phone: (619) 644-7254
E-Mail: mezzo@JanelleDeStefano.com
Website:
http://www.JanelleDeStefano.com/
|
Ron Gillis, general music, music
theory |
|
 |
Ron Gillis, director,
conducts the Grossmont College Chamber Singers. He also
serves as an adjunct faculty member at Southwestern College
and San Diego State University teaching courses in music
education, music theory, and voice. Ron has extensive
choral experience beginning in his native El Paso, Texas.
Since moving to San Diego in 1985, he has directed several
church choral programs, most recently at La Mesa First
United Methodist Church, and directed many community
ensembles including the San Diego Choral Artists (SDCA),
which Mr. Gillis founded and directed from 1991-1996.
While directing SDCA, he composed Requiem in Memoriam:
Oklahoma City, which was premiered on the anniversary of
the tragic bombing of the Alfred P. Murrah building, April
19, 1996. He has composed many anthems, masses, songs, and
music for theater.
Mr. Gillis has served as a choral clinician and is a member
of MTNA, ACDA, and The Hymn Society. He also serves on the
advisory board of the La Mesa Village Dance Company, and the
San Diego Children's Choir.
Mr. Gillis has been a member of the Grossmont College Music
Department faculty since 2002.
Office: 230-I
Phone: (619) 644-7254
E-Mail: not available |
Justin Grinnell,
general music |
|
 |
Justin
Grinnell,
acoustic and electric bassist, has been a
freelance musician and music educator in San
Diego since his move from his hometown, Santa
Rosa, California, in the fall of 1999. His
familiarity with a wide range of musical styles,
including jazz, latin, funk, rock, pop, and
classical, make him a valuable asset in almost
any musical situation.
In May 2005, Justin
received his Master's Degree in Jazz Performance
from San Diego State University. While attending
SDSU on a full scholarship, he had the
opportunity to travel, perform, and teach in
South and Central America as a member of two
faculty-student jazz groups. At this time,
Justin began studying privately with
internationally acclaimed acoustic bass soloist,
Bert Turetzky.
After receiving his Master's degree in Jazz
Performance from SDSU, Justin was accepted into
the Henry Mancini Institute's 2005 Summer
Education Program on a full scholarship. HMI is
a four-week music training program on the UCLA
campus where participants from around the world
attend master classes, rehearsals, mentoring
sessions, and panel discussions. HMI provided
Justin with the opportunity to work with one of
Los Angeles' premiere session bassists, Nathan
East, as well as Billy Childs, Peter Erskine,
Dave Liebman, Christian McBride, Vince Mendoza,
and Alan Pasqua.
Justin is currently performing and composing for
several jazz-influenced groups. Justin performs
in downtown San Diego every Monday and Friday
night in Croce's Jazz Bar with the Dave Scott
Quintet and the Latin-jazz sextet, Yavaz. The
Arc Trio and Rezolution are collaborative
projects featuring contemporary compositions and
arrangements by each groups' members. In
addition to his performing schedule, Justin
teaches private students and Music 110: Great
Music Listening, a classical music appreciation
course, at Grossmont College.
If you'd like to read more about Justin and his
musical activities, then check out his website
and regularly updated itinerary at
www.justingrinnell.com. Check back
frequently because Justin often performs with
some of San Diego's finest musicians, including
Rick Helzer, Christopher Hollyday, Kevin Koch,
Gary Lefebvre, John Opferkuch, Duncan Moore,
Peter Sprague, and Tripp Sprague.
Justin has
been teaching in the Grossmont College Music
Department since Fall 2005. His courses include
general music.
Office: 230-I
Phone: 644-7254
|
Jeff Hofmockel,
music history |
|
 |
Jeff Hofmockel,
jazz history instructor, has been a “gigging
guitarist” in San Diego since 1972, and in the 70's worked
with many local “Top Forty” bands, including Nimbus, Soul
Expression, Showboat and others. Jeff worked with many
blues artists in the mid-70's, such as Tom Cat Courtney
and His Blues Dusters, Kansas City pianist Bob
Jeffries and Jamaican blues artist Louis Majors.
In the mid-70's Jeff was also a member of rock band Jamul,
who had a Billboard Top 100 hit with their rendition of
“Tobacco Road.” From 1978 to 1988, Jeff worked mainly with
“oldies” band the Ducktail Revue at the Sheraton Harbor
Island, Mission Valley Hilton Hotel, Hanalei Hotel and many
other restaurants and clubs. With the Ducktail Revue, Jeff
has performed as an opening act for the Platters, the
Coasters, Frankie Avalon, the Diamonds,
Little Anthony, the Drifters, the Hollywood
Argyles, the Kingston Trio, the Bellamy
Brothers, Roger Miller, the Association,
the Four Freshman and Mel Tillis. As a
member of Reeves In Motion, Jeff backed up the
Coasters, and as a member of the Belair Boys,
Jeff opened for the Four Tops. Jeff has also
performed with “oldies” bands Rama Lama, the
Impostors, and the Midnight Hour.
Since 1995, Jeff has mainly worked with Breez’n, a
variety band that does smooth, Latin
and straight-ahead jazz as well as pop, disco, classic rock
and rhythm and blues. Breez’n has played many wedding
receptions, corporate events and private parties, along with
restaurants, night clubs and many summer “Concert in the
Park” events. Breez’n has played at the KIFM Jazz Festival
every year since 1996, and also performs yearly at the Del
Mar Electronics Fair. Besides continuing to perform with
Breez’n, Jeff works with various straight-ahead jazz combos
and alternative rock band Kitten With a Whip. Jeff
also plays at the Comedy Store on Sunday nights, “riffing”
between comedy acts!
After graduating from high school in 1970 and attending UCSD
as a math major, Jeff began his musical studies at Mesa
College in 1972. Jeff continued to take music classes at
San Diego State University through the 70's and 80's while
continuing to “gig” and work part time delivery jobs,
finally receiving his Bachelor of Arts
degree in 1990. Jeff returned to SDSU to complete his
Master of Music degree in Jazz Guitar Performance in 1998.
While a student, Jeff studied jazz guitar with Everett
Gonsalves, Peter Sprague, Bill MacPherson and Art Johnson.
Jeff also performed with the SDSU Jazz Ensembles and Jazz
Combos, including 1997 concerts with the “A” band backing up
Gary Lefebre, Ellen Johnson, Louis Bellson
and Pete Christlieb. Jeff also taught three
semesters of Jazz Guitar Ensemble and a semester of Jazz
Combo while a grad student at SDSU.
Jeff has taught History of Jazz at Grossmont College since
Fall 2005. Jeff is one of two
taff Jazz Guitar teachers,
and has taught Class Guitar and subbed for Music Theory
classes. Jeff has performed with the Grossmont Jazz
Ensemble, the Grossmont Jazz Faculty and fellow teacher Paul
Kurokowa. For the Fall 2006 semester Jeff is teaching
History of Rock as well as History
of
Jazz.
Office:
230-I
Phone: 644-7254
|
Christopher Hollyday, jazz performance |
|
 |
Christopher Hollyday,
Jazz Ensemble, began performing publicly in 1983
in the Boston area at age thirteen as a member of his
brother Richard’s quintet. In 1988 Hollyday headlined a week
at the historic
Village Vanguard
in New York City. Hollyday toured with
Maynard Ferguson
as a featured soloist in the trumpeter’s “60th Birthday Big
Band”, and recording the “Big
Bop Nouveau” album. From 1989 through 1993, Hollyday
toured with a regular quartet visiting
every Western European country, Brazil, Canada, and most of
the United States. During this period Hollyday made four
recordings for RCA records.
In 1993 Hollyday pursued his desire to study composition and
larger ensemble arranging techniques at
Berklee College of Music
in Boston, MA. During this time he also became very
interested in music education. In 1996, Hollyday relocated
to San Diego, CA, where he has
taught at Valley Center High School, in Valley Center, CA
for eight years. Hollyday
recently completed a master degree in jazz studies at
San Diego State University.
Christopher has been a member of
the Grossmont College Music Faculty since
the Fall of 2006. His classes include
Jazz Ensemble.
Office: 230-I
Phone: 644-7254
E-Mail:
christopher.hollyday@gcccd.edu |
Martha Jane Howe, performance studies |
|
 |
Martha Jane
Howe, Performance Studies &
Musical Theater Performance,
is a versatile singing actress and teacher
having performed with numerous opera companies and
symphony orchestras throughout the United States and Canada,
consistently receiving critical praise for her rich
contralto voice and interpretive
skill. In 1998 she moved to Vienna, Austria,
to teach voice, Acting While
Singing, presenting Breathing and Interpretation Workshops
and stage directing.
A published poet, she began writing program notes with the
Param Vir operas she performed with Musik
Werkstatt Wien in 1999, and has been writing a monthly
essay for Women In Motion, a publication in upstate
New York, since July, 2002.
Since starting to stage direct in 2000, Ms. Howe has staged
shortened versions of Rocky Horror Show and
Oklahoma, blocks from J.C. Superstar and
Glöckner von Notre Dame (Hunchback from
Notre Dane), scenes from Carousel,
Frühjahrsparade (Spring Parade),
Jekyll and Hyde, Sunset Boulevard, Man of La Mancha, The Wiz
and Titanic, and over 100 audition songs. She
produced and directed the VMS 2003 Christmas Show,
and the 2004 Summer Show, Divided Hearts.
She has presented numerous recitals in Vienna, including two
concerts of new works in the Alte Schmiede, and two
Liederabend concerts in the Schubertkirche, Lichtental. She
sang the alto solos in J.S. Bach’s B-minor Mass in
München, and three Bach cantatas in Eisenstadt, Austria and
Schloss Esterhazy in Hungary. In 2001, she recorded Van de
Vate’s All Quiet on the Western Front.
She has specialized in 20th century operas, starting
with R. Strauss, Britten and Shostakovich, and performed in
9 different world and U.S. premieres. During five seasons
with the Lyric Opera of Chicago, she performed in the
world premiere of William Bolcom’s McTeague,
Prokofiev’s The Gambler, plus Die Walküre, The
Bartered Bride, La Sonnambula, and the Ring cycle
conducted by Zubin Mehta. With San Diego Opera, she
has performed The Rape of Lucretia, Albert Herring,
Boris Godunov, Les Dialogues des Carmélites, Le Nozze de
Figaro, Eugene Onegin, Roméo et Juliette, and in 2001,
Carlisle Floyd’s Cold Sassy Tree.
This year she returns to San Diego Opera to perform Boris
Godunov.
Ms. Howe made her San Francisco Opera debut in
Lulu and L’Incoronazione di Poppea, and her
Los Angeles Opera debut in Faust and Elektra.
Among her 70 roles with various companies, she has sung
Der Fliegende Holländer, The Rake’s Progress and
Elektra with the Canadian Opera Company, and
Eugene Onegin, Boris Godunov, The Rape of Lucretia,
Pelléas et Mélisande and L’Incoronazione di Poppea
with Long Beach Opera.
She has also performed over 36 concert roles with major
orchestras, including the Chicago, Minnesota and San
Francisco Symphonies. She has performed with noted
conductors Daniel Barenboim, Nicolas McGegan, Edo de Waart,
Kent Nagano, Dennis Russell Davies, Richard Bonynge, James
Conlon, Christoph von Dohnanyi and Leonard Slatkin.
In 1997 and 1999, Ms. Howe represented the Action Committee
for Solo Singers at on-going union contract negotiations of
the Basic Agreement between AGMA and the participating opera
companies. These meetings resulted in the clarification and
rewriting of the Basic Agreement and the National Agreement.
Presently, her students are performing in major productions
in Berlin, London and Vienna, along with regional
productions and individual performances in Italy, Germany,
Switzerland, Spain, Austria and California.
For more information on Martha Jane Howe,
please visit her webpage at:
http://www.marthajane-howe.com
Martha Jane has been a member of the Grossmont
College Music Faculty since the Fall of
2007. His classes include
Performance Studies and Fundamentals of Musical Theater
Performance.
Office: 230-I
Phone: 644-7254
E-Mail:
marthajane.howe@gcccd.edu |
Esther Jordan, vocal studies |
|
 |
Esther Jordan,
Voice, began teaching choral music in 1977. She
graduated from Grand Canyon University in Arizona with a
B.A. in Vocal Performance and Music Education, and earned
her M.A. in Curriculum and Instruction from San Diego State
University. Her teaching and directing have been in Arizona
and Californa public and private schools, community theatres
as well as churches. She has toured with performing groups
in the United States and Europe. Mrs. Jordan has enjoyed
singing with madrigral groups, performing oratorio solos as
well leading roles in musicals and operas. In 1977 Esther
returned with her family from living in Japan where she
conducted the Yokosuka Choral Society, Handbell and Chapel
choirs and performed in recitals. She also taught English in
the Japanese public school system and the Japanese National
Self Defense Academy.
Ms. Jordan has been a member of the Grossmont College Music
Department Faculty since 1998. Her classes include class
voice.
Office: 230-I
Phone: (619) 644-7254
E-Mail:
jordanm1@home.com |
Lorie Kirkell, music history |
|
 |
Lorie Kirkell,
music teacher/performer, general music education,
is an acclaimed young American cellist, who has developed a
glowing career on the West Coast as soloist, recitalist, and
chamber music player. After her studies on the East Coast
with distinguished cellists Raya Garbousova and Bernard
Greenhouse, she spent some time doing freelance work and
repertoire development. She then came to the West Coast
where she earned a Master of Arts degree in music at the
University of
California San Diego and studied with
the well known cellist Peter Farrell. Her research into
repertoire moved into the 20th century as well as
performance practice of music of earlier times. After this,
a long series of recitals and solo appearances began and
continue with noticeable frequency and high critical
acclaim. She has appeared as principal cellist with
orchestras for the Bolshoi Ballet and San Francisco Ballet.
Lorie Kirkell has been a member of the Grossmont College
Music Department Faculty since 2002. Her classes include
Great Music Listening.
Office: 230-I
Phone: (619) 644-7254
E-Mail:
lorie.kirkell@gcccd.edu |
Chris Klich, music history |
|
 |
Chris
Klich, music
history instructor, a native
of San Diego, has been performing professionally for the
last 26 years, playing engagements in San Diego, Orange
County, and Los Angeles, and has toured in Texas, Hawaii,
Illinois, Missouri, Arizona, New York, Ohio, Tennessee, New
Mexico, Louisiana, Colorado, Nevada, and Utah. In addition
to his many stateside performances, he has also done a great
deal of touring in countries as diverse as China, Macau,
Canada, Norway and Sweden. Holding Bachelor of Music (UCSD
1983) and Masters in Jazz Studies (SDSU 2005) degrees, he
has worked with dance band favorites The Fabulous Mar
Dels and the Heroes, swing band Tobacco Road
(featuring Sue Palmer), blues artist Candye Kane,
variety bands The Rhythm Method, Harvey and
52nd St. Jive, and The Rhythmakers, and funk
group Wise Monkey Orchestra, as well as many of the
other popular groups in San Diego. He can currently be seen
with his own
Chris
Klich Jazz Quintet, one of the best mainstream jazz
groups in the city. The Quintet plays San Diego's jazz clubs
and concert venues, as well as many weddings, corporate
events, and private parties. In addition, Chris performs
often at club events, church services, and concerts with
other musicians, does a good deal of studio recording, and
plays everything from jazz to blues to swing to top-40. The
Quintet plays many weddings, corporate events, and public
shows every year.
Chris has performed in nearly every venue in San Diego, Los
Angeles and Las Vegas including Caesar's Palace and the
House of Blues (New Orleans, Los Angeles, and Downtown
Disney). Locally, he can be seen at Dizzy's, the Coyote,
Croce's Top Hat,, Twiggs, Claire de Lune, La Costa Resort,
The Four Seasons Aviara, Scripps Aquarium, The
Darlington House, Orfila Vineyards, Le Meridien, the
Sheraton, the Hyatt, Morgan Run Golf Resort, and the U.S.
Grant Hotel, playing club events or private parties.
Chris Klich has been a member of
the Grossmont College Music Faculty since
2006. His classes include
History of Jazz.
More information on Chris Klich.
Office: 230-I
Phone: 644-7254
E-Mail:
chris.klich@gcccd.edu |
Michael Krewitsky, computer music technology |
|
 |
Michael
Krewitsky, computer music technologist, is one of
the leading computerized music specialists in the United
States.
He
began his career as a lead technician at Musicians
Repair Service in 1976.
Three years later became a Moog Certified Polymoog
and ARP technician.
In 1980 Mike bought the
struggling Musicians Repair
Service. He then earned his
Apple Macintosh Developer Certification
in 1984. In 1985, he changed
the business name to
Professional Sound and
Music and began selling
pro audio and configuring systems.
In 1999 Mike established
ProSound.com.
Mike's
educational resumé includes a
Bachelor
of Science degree (B.S.) in Electrical Engineering,
a Master of Science degree (M.S.) in Physics, a Master of
Arts degree (M.A.) in Music, and a Doctor of Philosophy
degree (Ph.D.) in Physics and Acoustics. Note: Mike was
also an "Eagle Scout" in 1967!
Recording is Mike's main bag
(baby) and knows
Pro
Tools inside and out. He lives most of his life in
Prosound's in-house studio, when he's not
teaching at Grossmont College or coaching Little
League. He has scored many soundtracks for the Winter
Olympics and various commercials and industrials, and done
extensive recording projects for friends and clients. He
also has at least three or four CD's awaiting release.
Mike
has been a member of the Grossmont College Music Faculty
since 2005. His classes include
MIDI SEQUENCING AND RECORDING (MUS187).
Office: 230-I
Phone: 644-7254
E-Mail:
mkrew@prosound.com |
Philip "Jay Jay" Lim, piano studies |
|
 |
Philip
"Jay Jay" Lim, Piano Studies,
finished his B.S.
with a minor in music at the University of Arizona and his B.M.
in Music Therapy from the Berklee College of Music. He has
since worked as a music therapist, educator, and performer
in San Diego since 1999. He served eight years as a music
therapist at the Bayview Behavioral Health Campus in
Chula Vista, where he helped clients of all ages cope with
various psychiatric issues. His position at Bayview also
allowed him to work as a clinical training supervisor for
Musicworx of California, where he has supervised,
oriented, trained, and formally evaluated music therapy
interns to prepare for work in the adult psychiatric
setting.
Since 1999, Jay Jay has served as a music therapist and
educator for the
Greene Music
Education Center. As an educator for Greene Music,
he has had the chance to acquire a wealth of experience of
teaching piano to the adult learner, and as a music
therapist, his experiences have varied from creating a
geriatric music therapy program for assisted living and
skilled nursing facilities, to involvement with the
Senior Recreational Music Making Project, a
bi-coastal research collaboration between Yamaha, Remo
Drums, and the
Mind-Body
Wellness Center in Meadeville, PA. During this 2-year
project, he was one of two music therapists on a research
team which studied the effects of creating a “musiculture”
within an older adult facility.
Although education remains his passion, Jay Jay has enjoyed
a busy schedule as a performer. He is music director and
accompanist for Park Hill United Methodist Church in Chula
Vista, and he plays twice a week at Croce’s Jazz Bar for
both Yavaz and the Dave Scott Ensemble. He is currently a
board member of JAG (Jazz Association of Greater San Diego),
and since the year 2000, he has been pianist and coordinator
for a weekly jazz jam which is currently held at South Park
Bar and Grill. He has more recently finished a M.M.
in Jazz Studies at the San Diego State University, where he
studied with Rick Helzer. Jay Jay continues to study with
San Diego pianist, Lynn Willard. For more
information on Jay Jay, please visit his webpage at:
www.jayjaylim.com
Jay Jay has been a member
of the Grossmont College Music Faculty since
the Fall of 2007. His classes include
Class Piano and Introduction to Music.
Office: 230-I
Phone: 644-7254
E-Mail:
pianoinstructor@gmail.com |
Cathy Lionello,
general music,
piano performance, staff accompanist |
|
 |
Catherine Lionello,
staff accompanist/music education,
received her Bachelor of Music degree from the Eastman
School of Music and her Master of Music degree from Arizona
State University (ASU). She also completed a year of
doctoral studies at Boston University (BU).
Ms. Lionello has had a wide and varied career as a performer
and teacher. She has worked as an opera coach/accompanist
for Opera In The Ozarks in Eureka Springs, Arkansas,
and for the opera programs at ASU and BU. She has
accompanied ballet dancers, singers, and instrumentalists in
recitals and classes. As an educator, her experience
includes several years of teaching elementary general and
choral/vocal music in New York, Arizona, and California.
She has also taught both private and group piano lessons and
has served as an adjudicator for piano competitions. Her
work has also included church music, both as director and as
pianist/organist.
At Grossmont College, Ms. Lionello teaches Introduction to
Music Education and private piano lessons. She is
also the staff accompanist for the Performance Studies
program. Outside of Grossmont College, she is the musical
director for the opera "The Tender Land" at San Diego State
University (SDSU) and the rehearsal/pit orchestra pianist
for "Footloose" at the School of Creative and Performing
Arts in National City. She also maintains a piano studio in
the Hillcrest area.
Catherine Lionello has been a member of the Grossmont
College Music Faculty since 2003.
Office: 230-I
Phone: 644-7254
E-Mail: claviercat@yahoo.com |
Heidi Lynn, music theory |
|
 |
Heidi Lynn, Director of Chamber Singers,
received a Master of Music degree in sacred music from
Westminster Choir College in Princeton, New Jersey and is an
adjunct faculty member at Grossmont College. She is also a
full-time music director at
Our Lady of Grace
Catholic Church in Fletcher Hills. Ms. Lynn was musical
coordinator of the
San
Diego Opera's Children's program and founder/musical
director of Musicque Classique, a choral ensemble
featured in concert with the
San Diego Symphony
Summer Pops Series. She has also worked as assistant
conductor of the La Jolla Symphony Chorus.
Ms. Lynn sang the role of "Pecus" in Honegger's Jeanne
d'Arc au bucher with the New York Philharmonic and
conductor Kurt Masur. She has also sung with the San Diego
Symphony, the La Jolla Symphony, and the Portland Symphony
Orchestra, with whom she originated and recorded the role of
"Mary Magdalene" of Kenneth Nielson's Cantata on Four
Saints.
Ms. Lynn has been a member of
the Grossmont College Music Department Faculty since 1997.
Her classes include directing the Grossmont College Chamber
Singers.Office: 230-I
Phone: (619) 644-7254
E-Mail:
Heidi.Lynn@gcccd.edu |
James Morton, percussion performance, "rock"
studies |
|
 |
James Morton,
percussion performance, "rock" studies, was born and
raised in Houston, Texas and received the major portion of
his musical education through "experience." Having
performed with several notable artists in the jazz and rock
fields, he continues to perform in a variety of venues. He
has written for
Mel Bay
Publications since 1980, and has ten books to his
credit. Some of his publications include:
You Can
Teach Yourself Drums,
Easiest
Drumset Book,
Easy Rock Drum Charts,
Killer-Fillers, and
Rock
Studies for Drumset. He recently completed an
instructional video for Mel Bay, and is currently working on
a book about "rhythm and blues" drumming.
Mr. Morton has also been a founding member of the Grossmont
College Music Department Faculty Jazz Quintet called
Ars Nova.
James Morton has been a member of the
Grossmont College Music Department Faculty since 1989. His
classes include History of Rock and Roll, and Modern Drumset
Technique.Office: 230-I
Phone: (619) 644-7254
E-Mail:
jmortondrums@aol.com |
Branden Muresan,
general music, violin studies |
|
 |
Branden A.
Muresan, general music education,
is a
native of Southern California. He holds a Bachelor' s of
Music in Violin Performance from San Diego State University
where he studied with Igor and Vesna Gruppman as well as
Juanita Cummins. Muresan completed his Master's in Music in
Instrumental Conducting under the supervision of Donald
Barra and Harold Warman from SDSU in 2000.
During the past three
years, he has conducted concerts given by the SDSU
University Symphony and collaborated with SDSU Opera Theater
for a production of Gilbert and Sullivan's The Mikado.
Muresan has appeared previously as guest conductor for both
the Grossmont Symphony and the Palomar Symphony Orchestras.
Muresan is on the faculty at both Grossmont and Palomar
Community Colleges as well as substitute conductor for the
Civic Youth Orchestra of San Diego. Muresan served for
three years as volunteer strings chairman for the Music
Teachers Association of California, and is currently string
coaching for the Helix High School Orchestra. A resident of
San Clemente, Muresan also gives private instruction for
students from Mission Viejo to San Diego. Muresan currently
occupies the STAT Pharmaceutical Company’s Mentor /Tutor
Chair in the Grossmont Symphony and performs both as
violinist and Assistant Conductor of the Palomar Symphony
Orchestra
Branden Muresan has been a member of the
Grossmont College Music Department Faculty since 2001. His
classes include Great Music Listening and Introduction to
Music, in addition to occupying the STAT Pharmaceutical
Endowed Violin Chair in the Grossmont Symphony Orchestra..
Office: 230-I
Phone: (619) 644-7254
E-Mail:
violinmanb@yahoo.com |
Marion Rodewald, piano studies,
music education |
|
 |
Marion Rodewald,
piano studies professor, is the daughter of a U.S.
Army bandmaster. She earned a Bachelor of Science degree in
piano in 1969 from Old Dominion University in Norfolk,
Virginia. She also pursued graduate studies in music and
pedagogy at San Diego State University.
Ms. Rodewald has taught piano and basic music at Grossmont
College since the mid-seventies. She has also taught at St.
Mary's College in Notre Dame, Indiana and at Southwestern
College in Chula Vista. As a frequent recitalist, Ms.
Rodewald has given piano performances at Grossmont College,
the East County Performing Arts Center (ECPAC) in El Cajon,
the Music Academy of the West in Santa Barbara, and for the
Noontime Concert Series at the Civic Center in San
Diego.
Ms. Rodewald currently serves on the Musical Merit
Foundation of Greater San Diego and is a former board member
of the Music Teachers
Association of California. Ms. Rodewald maintains an
active private piano studio in addition to holding a
position of adjunct music professor at Grossmont College.
To broaden her musical horizons, Ms. Rodewald currently
studies bluegrass guitar with Walt Richards of San Diego.
Marion Rodewald has been a member of the Grossmont College
Music Faculty since 1975. Her classes include Introduction
to Music, and Class Piano.
Office: 230-I
Phone: 644-7254
E-Mail:
Marion.Rodewald@gcccd.edu |
Melonie Sacalamitao, piano studies, vocal jazz ensemble |
|
 |
Melonie Sacalamitao,
vocal jazz,
began studying piano at the age of four, and has
since been recognized not only for her skills as a pianist
but also for her abilities as a musical director, piano
instructor, vocalist, and music educator.
Melonie received a Bachelor of Music
(Education/Jazz Emphasis)
from the University of Miami in 1996. In 2003, she received
a Master of Music degree in Jazz
Studies from SDSU.
Melonie has an extensive list of musical performance
experiences, both at the collegiate level at SDSU and in the
free-lance field. She plays jazz, Latin jazz, salsa,
classical, and musical theater. Additionally, she has
performed in well-known San Diego venues, including
Dizzy’s and
Croce’s Jazz Bar.
Melonie is active as a performer in the jazz
community and has worked with
Lori Bell, Ron
Satterfield, Gilbert Castellanos, Rob Thorsen, Tim McMahon,
Duncan Moore and the Benny Holman band. She has done
extensive work as musical director and pit keyboardist for
Starlight Civic Theater, the San Diego Repertory Theater and
the Lawrence Welk Theater. Additionally, she has been
employed by Royal Caribbean International Cruises, both as a
pianist and musical director for shows featuring major
headliner acts.
Her teaching experience extends to Southwestern College and
Miramar College where she teaches courses including: World
Music, Vocal Jazz Ensemble, Introduction to Music and Music
for Elementary Teachers and Class Piano.
Melonie is also a member of Local AFM 325.
Melonie Sacalamitao has been a member of the Grossmont
College Music faculty since 2001.
Office:
230-I
Phone: (619) 644-7254
E-Mail: melonie.sacalamitao@gcccd.edu |
Russ Sperling, concert band |
|
 |
Russ Sperling, Concert Band, is the Program
Manager for K-12 Music for the San Diego Unified School
District in the Visual and Performing Arts Department. He
supervises all elementary instrumental music teachers and
coordinates with all secondary instrumental and choral music
teachers in California’s second largest school district.
Under Mr. Sperling’s leadership, instrumental music
enrollment in the district has increased by 28% over a three
year period. Mr. Sperling was Instrumental Music Director
at Helix Charter High School in La Mesa, California for
fourteen years. During his tenure at Helix, the band and
orchestra tripled in size, won numerous awards and performed
in Europe on three tours. Mr. Sperling holds a B.A. from
California Polytechnic State University, San Luis Obispo, a
Masters in Educational Leadership from Point Loma Nazarene
University and a second Masters in Music Performance with an
emphasis in Conducting from San Diego State University.
Mr. Sperling is currently Past President of the California
Association for Music Education (CMEA), Southern Border
Section, and has twice been awarded Band Director of the
Year by that association. Mr. Sperling is the representative
to the CMEA board for the state’s music supervisors. In
2004-2005, Mr. Sperling received the Golden Apple Award from
Helix Charter High School for excellence in teaching. Mr.
Sperling is a Southern California School Band and Orchestra
Association (SCSBOA) Festival, Field and Parade Adjudicator.
Mr. Sperling is in his second year as music director for the
Grossmont College Concert Band. Office: 230-I
Phone: 644-7254
E-Mail:
rsperling@sandi.net |
George Svoboda,
guitar studies |
|
 |
George Svoboda,
classical guitarist, was praised by San Diego Tribune
Staff Writer Bob Corbett as,
"a first-class
musician, top-drawer stuff . . . his fingers seem to fly
effortlessly
across the guitar strings. The music that results is full of
life. It’s happy."
First prize winner in the Guitar
Competition of the City of Kromeriz, Czechoslovakia Mr.
Svoboda has been heard in recital in his native
Czechoslovakia, England, Germany, Spain, Hungary, Austria,
Mexico and the United States. Mr. Svoboda has gained
recognition not only as an immaculate and entertaining
performer, but also as a composer and arranger of music for
solo guitar and small ensembles. His music is rooted in the
folk traditions of Eastern Europe and his transcriptions
have won him consistent praise from musicians and critics
alike.
As co-founder of
Benedetti/Svoboda Duo, and member of the well-known
Second Avenue Klezmer Ensemble, he has performed
throughout the US, Hawaiian Islands, Mexico and Europe. Mr.
Svoboda has performed for President and Mrs. Clinton at the
world-renowned Hotel Del Coronado. He has co-wrote and
performed music for the Old Globe's production of
Shakespeare's Much Ado About Nothing under the
direction of Tony award winning director Jack O'Brien.
Mr. Svoboda has been performing and recording for nearly
twenty-five years. His compact discs, entitled Scirocco-Desert
Wind and Zephyr, were recorded in 1994 and 1996
with guitarist
Fred
Benedetti on the SBE label and features original,
flamenco and East European music. His last two compact
discs, entitled Flamenco Dreams and
Spanish Gardens, were recorded also with Fred
Benedetti on Domo records label and released world-wide in
1998 and 1999.
Mr. Svoboda has also been actively involved in teaching for
over twenty years. In his native Czechoslovakia, he taught
guitar and music theory in Public Schools of Art. Since
arriving in the U.S. he has been teaching at San Diego City
Schools as an Artist in Residence, in addition to being an
adjunct member of the music faculties at Mesa College, CSU
San Marcos and CSU San Diego. He has also published a
successful instructional book on guitar technique.
Born in Cheb, Czechoslovakia and now residing in San Diego,
California, Mr. Svoboda studied guitar and history of music
at the State Conservatory of Music in Pilsen,
Czechoslovakia. He received his Bachelor Degree in Music at
San Diego State University in 1996 and his Masters Degree in
Music in 1998.
Mr. Svoboda has been a member of the Grossmont College Music
Faculty since 1998. His classes include Classical Guitar I.
Office: 230-I
Phone: 644-7254
E-Mail:
gsvoboda@san.rr.com |
Robert Wetzell,
guitar studies |
|
 |
Robert Wetzel,
guitar studies, belongs to
that small generation of gifted former students of the
legendary Romeros family guitar dynasty from the period
between 1972-1985 who has succeeded as a professional
musician. Devoted to the classical guitar, he has continued
with his primary vocation, maintaining a busy schedule of
practicing, performing, recording, teaching and arranging
music to this day.
He made his formal concert performance debut by sharing the
stage with his mentors, the legendary Romeros, as the fourth
member of the performing guitar quartet at the August Moon
Concerts of the Napa Music Festival in 1977. His status
confirmed alongside Celin, Pepe and Angel Romero, he
performed the lute and guitar parts of their father, the
great Celedonio Romero who was vacationing in Spain that
summer. The Napa concert that Robert participated in was a
special rare program by the Romeros that featured ensemble
performances on lutes, vihuelas and guitars.
On commenting about his early life and ascension up the
ladder rungs of early music successes, Robert states: “A
native of the Netherlands with Dutch-Indonesian and Chinese
lineage, I immigrated to the United States at age two with
my parents, two older brothers and sister, settling in
Dallas, Texas. My mother, Leonie, intuitively sensed my
inclinations towards artistic sensibilities and encouraged
me to draw and later persuaded me to study the piano which I
undertook until I was age eleven.
It was after my sister brought home a Silvertone acoustic
guitar, that I switched my musical allegiance and thus I
began my lifelong love affair with the guitar. I began
studying with my first classical guitar teacher, Darryl Ray
Saffer, at Southern Methodist University, who introduced me
to the Romeros when they visited his house during their U.S.
tour in 1971. After intensive study of the classical guitar
while still a teenager, I was granted the opportunity to be
a performer in the guitar master classes of Pepe Romero,
Christopher Parkening, Oscar Ghiglia, and Robert Guthrie
which were held in Dallas. The following year I began
private studies in Del Mar, California with one of the
worlds’ greatest guitarists, Angel Romero, who graciously
invited me to reside in his residence during my yearly
summer studies with him. Duri | | |