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Department of Music

 


Faculty

Full Time Faculty Adjunct Faculty
Steve Baker Ken Anderson Audra Nagby Katherine Petrosyan
Fred Benedetti Ken Ard Lorie Kirkell Tim Poulin
Derek Cannon Randy Beecher Chris Klich Marion Rodewald
Randall Tweed Douglas Booth Philip "Jay Jay" Lim Melonie Grinnell
Manny Cepeda   Russ Sperling
  Justin Grinnell James Morton Robert Wetzel
  Jeff Hofmockel Branden Muresan John Reynolds
    Alyze Dreiling  
       
Music Technician
Anthony Cutietta      

Full Time Faculty

Steve Baker, Dean of Arts, Languages and Communication

Steve Baker - Fall 2011 thumbnail

Steve has been very active as a performer since 1969. In his career as a pianist, he has performed with recording artists such as Eric Marienthal, Mundell Lowe, Charles McPherson, Kenny Goldberg and Frankie Avalon. His groups have opened concerts for artists such as Michael Franks, Rita Coolidge, The Platter, The Coasters, The Diamonds, Little Anthony, the Nelson Riddle Orchestra and Jack Mack & the Heart Attack. The Steve Baker Trio specializes in Brazilian and Afro-Cuban influenced jazz. They have performed in many varied venues with artists such as Cuban drumming virtuoso Ignacio Beroa, Brazilian recording artist, Josias Dos Santos, Latin jazz recording artist Kenny Goldberg and 50s rock & roll tenor sex veteran John "Hoot" McDonald. A resident of the San Diego area since 1960, Mr. Baker's music study has included training in both classical and jazz piano and composition. He holds degrees in music from Grossmont College (AA), UCSD (BA), and SDSU (MM in Piano Performance). Mr. Baker has performed in numerous master classes including those of Misha Dichter, Marion Hall, Frank Weins and Lorin Hollander. During post graduate studies at Cal Poly, San Luis Obispo, he studied with Billy Taylor, David Baker, Gerald Wilson and Bobby McFerrin. Mr. Baker has been a member of the Grossmont College Music Department faculty since 1985, serving as the chair for 11 years, and is a founding member of the Grossmont College Music Department Faculty Jazz Quintet called Ars Nova. He teaches music theory, piano performance and music technology. Since 2004, Baker has served as music director to the San Diego Dance Theater, performing with Jean Isaacs' "Sippie: A Salute to Sippie Wallace," "Suite Satie,""Cabaret Dances,"(annually) and more, in San Diego, New York City, San Francisco, Santa Barbara, and in Europe and Mexico. Baker's rendition of "Rhapsody in Blue" with The Poway Symphony Orchestra (May 2008) garnered standing ovations.

Mr. Baker has been a member of the Grossmont College Music Department faculty since 1985 and his current teaching responsibilities include Piano Performance.

Office:  58M
Phone:  (619) 644-7155
E-Mail:  Steve.Baker@gcccd.edu



Fred Benedetti,
classical guitar studies

Fred was born in Sasebo, Japan and began playing the guitar at age 9. In 1986 he was one of 12 guitarists chosen worldwide to perform in the Master Class of Andrés Segovia at USC where Guitarra Magazine wrote, "...Fred Benedetti amazed the audience with his performance of the (Bach) Chaconne..." He has also been a performer for the master classes of Pepe Romero, Christopher Parkening, Federico Moreno-Torroba, George Sakellariou, and David Grimes. Fred has performed in the United States, Canada, Taiwan, England, Germany, Mexico, the Czech Republic, and locally with the San Diego Symphony, the San Diego Opera, the Starlight Opera, the American Ballet Company, the Old Globe Theatre, Luciano Pavarotti, and jazz artist Dave Brubeck.

Presently he teaches at Grossmont College where he is chair of guitar studies, and is a member of the guitar faculty at San Diego State University with George Svoboda, Robert Wetzel and Celin Romero. Fred is listed in the prestigious "Who's Who Among America's Teachers-2002" and received an "Outstanding Faculty Award of the Year in Music," in 2001 from SDSU, the "NISOD" Excellence in Teaching award from the University of Texas at Austin in 1992 and an "Outstanding Chair" award in 1990 from Grossmont College.

Equally at home playing classical music or contemporary music, he records on the SBE label and DOMO records with four noted ensembles: Keltik Kharma (a celtic band), The Odeum Guitar Duo, recently given the honor by the magazine, Acoustic Guitar, as being one of the ten best independently produced guitar CDs for the year 2000, "Blurring the Edges" a recipient of the 1994 San Diego Music Awards "Best Pop-Jazz" album of the year featuring jazz musicians Peter and Tripp Sprague, and the Benedetti/Svoboda Guitar Duo. As a BMI affiliated composer, Fred has written numerous contemporary pieces for the international CD library company Network Productions and as a studio musician for 20 years his playing is featured on over 60 CD's, numerous movie soundtracks, and TV commercials. He has shared the stage with Art Garfunkel, Basia, Michael Franks, Mark O'Connor, Michael Hedges, and Ottmar Liebert, and has recorded with Willie Nelson, Juice Newton, Paul Overstreet, Patty Loveless, Tom Barabas, Big Mountain, Matthew Lien, Ronny Robbins and William Lee Golden. He has performed for dignitaries such as the King & Queen of Malaysia, Mikhail Gorbachev and President Jimmy Carter.


Mr. Benedetti has also been a founding member of the Grossmont College Music Department Faculty Jazz Quintet called
Ars Nova.

Fred Benedetti has been a member of the Grossmont College Music Department faculty since 1985.  His classes include class guitar, classical guitar, general music and guitar theory, and guitar ensemble.

Office:  230-E
Phone:  (619) 644-7259
E-Mail:  Fred.Benedetti@gcccd.edu OR fbenede1@san.rr.com

More information on Fred Benedetti, music links, and interests!

Derek Cannon, Department Chair & Director of Jazz & Afro-Cuban Studies

Derek Cannon thumbnail

Derek is an accomplished performer and music educator having earned a Bachelor of Arts in Music, and Master of Music degrees from San Diego State University (SDSU).  During his time as a student at SDSU he won many soloist awards at jazz festivals throughout the state.  

Derek has maintained an active performing career which includes performances with Natalie Cole, Clark Terry, The Four Tops, The Temptations, and Jon Faddis to name a few. As a BMI affiliated composer Derek has also written and produced music for several recording artists in the Chicago area. 

Internationally, he has performed at The Montreaux Jazz Festival in Switzerland, The North Sea Jazz Festival in The Netherlands, The Umbria Jazz Festival in Italy, and The Montreal Jazz Festival in Canada.   Derek’s recent recordings include “Coup d’ Eclat,” with Monette Marino, 2010, “From Me To You,” with Paula Prophet, 2010, “Free Your Mind,” with Walter Beasley, 2009, “Destiny,” with Kamau Kenyatta, 2008, and “Come On Over,” with Allison Adams Tucker, 2008.  

In addition to being a member of the music faculty at Grossmont College, Mr. Cannon has also chaired the Jazz Studies Department at Chicago State University (1995-1999), and is a member of the jazz studio faculty at San Diego State University.   Derek Cannon has been a member of the Grossmont College Music Department Faculty since 1993.  His classes include Music Theory, Jazz Improvisation, Elements of Jazz, and he is the founder/director of the Afro-Cuban Ensemble.   In 2002, Derek was elected to the prestigious "Who's Who Among America's Teachers." 

Students of Mr. Cannon may visit his personal webpage at http://www.derekcannon.net

Check out Derek Cannon on Facebook and MySpace.

Office 230-E
Phone (619) 644-7257  
E-Mail: Derek.Cannon@gcccd.edu

 


Randall Tweed, D.M.A.,
Director of Choral/Vocal/Orchestral Studies

Randall Tweed thumbnail

Randy has been conducting opera, symphony, and chorus throughout Southern and Baja California since joining the music faculty in 1986. Dr. Tweed has frequently appeared as guest conductor on concert music series throughout Southern California including the Cabrillo Chamber Orchestra, the United States International Orchestra, Spreckels Organ Society, and various educational and church music concert series. In the area of education Dr. Tweed has appeared as adjudicator for the Music Educator’s National Conference, the Music Teacher's Association of California, the Grossmont Community Concert Association Instrumental Scholarship Auditions, and has twice appeared as conductor for the Suzuki awards concerts.

Dr. Tweed’s performing experience is both in the areas of vocal and instrumental fields winning competitions sponsored by the La Jolla Civic University Orchestra and the Musical Merit Foundation of Greater San Diego. Dr. Tweed received the doctorate in musical arts (D.M.A.) from the School of Music at Arizona State University, located in Tempe, Arizona. He has also completed two Master of Music degrees from the University of Southern California in addition to pursuing post-graduate study in Berlin, Germany (studying at the Berliner Kirchenmusikschule) where he was a recipient of a Konrad Adenauer Foundation Fellowship.

In addition to expanding both the orchestral and choral programs at Grossmont College, Dr. Tweed initiated a series of concert programs dedicated to educating East County’s children beginning in March of 1993 organizing a "musical petting zoo" for the children, under the supervision of the members of the Orchestra and Master Chorale, to "touch," "pet," and "play" the instruments of the orchestra just prior to hearing the actual concert. Aside from giving the members of the Grossmont Symphony Orchestra and Grossmont Master Chorale the experience of learning and performing an extensive variety of orchestral and choral literature, Dr. Tweed has given those members the opportunity to acquire greater stamina and self-assuredness by scheduling extra performances off campus. Being a civic minded person as well as an artist and educator, Dr. Tweed has contributed to the community by bringing his wonderful orchestra and chorale to areas that otherwise would have "missed out." In addition, he has succeeded in integrating community and college life by providing quality art to his East County audiences.

Dr. Tweed is has been a member of the Grossmont College Music Department Faculty since 1986.  His classes include Music Theory, Music History, Performance Studies, Voice Class, in addition to the Grossmont Symphony Orchestra & Master Chorale.

Office:  230-D
Phone:  (619) 644-7298
E-Mail:  Randall.Tweed@gcccd.edu

Information for Dr. Tweed's GSO members.
Information for Dr. Tweed's Music Theory Students.
Information for Dr. Tweed's GMC members.
Information for Dr. Tweed's Voice Class Students



Adjunct Faculty

Ken Anderson, Gospel Choir, Vocal Studies

Portrait of Ken Anderson

Ken is an internationally recognized Gospel musician as well as being the music director of the Martin Luther King, Jr. Community Choir San Diego (MLKCCSD), commonly referred to as the MLK Choir.  The MLK Choir provides scholarships for graduating high school seniors in the visual and performing arts (www.mlkccsd.net).  Ken is also a Lecturer at the University of California San Diego, and music director of the UCSD Gospel Choir.  He is also a music pastor at Scott Memorial Community Church.  In addition to his music director responsibilities, Ken maintains a private voice studio, as well as leading Gospel music workshops throughout the U.S. and Europe. He is also a foster father to nine (9) sons—all grown!
Ken has been a member of the Grossmont College Music Faculty since the Fall of 2006.   His classes include Gospel Choir.

Office:  230-I
Phone: 644-7254
E-Mail:
ptkenanderson@yahoo.com


Ken Ard, Music Education, Piano Studies, Aural Skills

Ken Ard - thumbnail

Ken holds a Master’s Degree in Piano Performance from the University of Southern Mississippi, with an undergraduate degree in Music Performance from the University of New Orleans, as well as private study with the great Ellis Marsalis. Ard currently maintains a faculty position at both Grossmont and Mesa Colleges in San Diego. In addition, Ard maintains a vibrant private piano studio at his home, where he has approximately twenty students of all ages. Ard is a member of the California Music Teachers’ Association , ASCAP, and the Jazz Education Network. One of his private students, Chase Morrin,  has won the prestigious ASCAP Young Jazz Composers Award for three years running, the youngest winner ever at twelve years old. Ard is one of the few local piano teachers who specializes in both classical and jazz piano styles. Students range in age from six years old to sixty-something. 

Growing up in New Orleans, Ard joined his first band at age twelve and has performed professionally since that time for audiences all over the world, from New Orleans to Europe to San Diego. Before moving to San Diego, Are performed for several years with Tony-nominated vocalist B.J Crosby, of the original cast of Smokey Joe’s Cafe on Broadway.

Ard may be be seen with his band, Etouffee, a New Orleans-style R&B dance band, in and around San Diego. Performsing for private and corporate functions, specializing in customized wedding music. Ard also performs as a solo pianist and singer throughout San Diego and Southern California. Most notably, Ard has played long-term engagements at several spots around San Diego including Bertrand’s @ Mr. A’s, Mille Fleurs, The Loew’s at Coronado, and currently at The Inn at the Park.

In 2003-2004, Ard conducted the Jazz Vocal Ensemble, InaChord, as well as teaching and directing the Jazz Vocal Ensemble at Southwestern College for three years. In December, 1999, Ard guest-conducted the 90-voice San Diego Men’s Chorus at Spreckels Theater.          

The Delta Queen, and Storyville, A Sweet Sportin’ Proposition are two original musical theater productions which were written by Ard and produced in New Orleans.  Ard has repeatedly performed his lecture-concert, The History of Jazz, with his six-piece combo at various venues throughout San Diego, including the “Jazz in the Park series at Balboa Park.   Currently working on a theater piece about Marie Laveau, the legendary New Orleans Voodoo woman, Ard hopes to have a workable production soon. Ard has done extensive musical direction for theater productions in New Orleans and San Diego. A compilation of Ard’s original tunes were produced and released on a CD recording, titled Gumbo in My Blood, and on a second live recording Missing New Orleans.

Ken Ard has been a member of the Grossmont College Music Faculty since 1988.   His classes include Introduction to Music, and Class Piano.

More information on Ken Ard.

Office:  230-I
Phone:  644-7254
E-Mail: 
kard@sdccd.edu



Randy Beecher,
Piano Studies, General Music

Randy is a well known member of San Diego's professional musical community.  Mr. Beecher graduated from SDSU with a Bachelor of Arts (B. A.) degree in Music and a Master of Music (M. M.) degree in Musicology. 

Mr. Beecher has a 24-year career as a musician, specializing in piano entertainment. As a performer, he is renown for his relaxed stage presence and ability to encourage audience participation.  Beecher's musical prowess and diversity span the early classics of the '30s and '40s -- George Gershwin, Cole Porter, Irving Berlin -- to modern composers such as Andrew Lloyd Weber and Marvin Hamlisch.

His public performances include Humphrey's, Hotel del Coronado, Red Tracton's, L'Auberge Del Mar, La Valencia Hotel, Bahia Hotel, Town & Country Hotel, and the Westgate Hotel. He also has performed privately for numerous celebrities including: Ann Bancroft and Mel Brooks, Dick Van Patton, Jenny and Sid Craig, Tim Conway, Dick Enberg, Tony Gwynn, Tommy Lasorda and members of the Los Angeles Dodgers.  Randy even shared a piano bench with internationally recognized composer/arranger Burt Bacharach.  Mr. Beecher continues to be sought after for weddings and other social and business functions nationally. His regular performances at Mille Fleurs, in affluent Rancho Santa Fe, continues to draw a local and national following. 
For more information on Randy Beecher, including professional bookings, please visit his homepage at: www.bestpianobar.com, and also www.profbeecher.com

Randy Beecher joined the Grossmont College Music Faculty beginning in the Fall 2000 semester. His course schedule includes Class Piano and Great Music Listening.

Office:  230-I
Phone: (619) 644-7454 x3617
E-Mail: Prof.B@cox.net



Douglas Booth,
Contemporary Guitar Studies

Portrait of Douglas Booth

Doug is both an instructor and a performer of guitar and bass.  Beginning at the age of ten, Doug has studied piano, flute, and percussion, in addition to the bass and guitar.   Interested in many different styles of music, he eventually found that his ear "bent" towards the jazz guitar styles of Wes Montgomery, Joe Pass, and early George Benson.  By age fifteen Doug was chosen to play with the Santa Clara Honor Jazz Band and a year later with the California All State Jazz Band. 

Doug has recently completed work on a new CD. 

You can hear Doug Booth on a variety of recordings including the recordings of the jazz fusion group, Ars Nova, and Zappa guitarist Mike Keneally's internationally released CD's. 
Mr. Booth is currently performing with "Rockola" which can be found performing locally, and internationally.  He can also be seen playing keyboards with "The Steely Damned."

Mr. Booth has also been a founding member of the Grossmont College Music Department Faculty Jazz Quintet called
Ars Nova

Doug Booth has been a member of the Grossmont College Music Faculty since 1991.   His classes include Class Guitar I, and Music Theory for Guitar II.

For information on Doug Booth's music business, visit:
www.myspace.com/soundboothproductions

Office:  230-I
Phone: 644-7254
E-Mail: 
sobopro@aol.com      

Manny Cepeda, Afro-cuban & Jazz Studies, Music Theory

Portrait of Manny Cepeda

Manny hails from San Juan, Puerto Rico.  His musical experience of over 48 years makes him a fountain of knowledge in the Latin Music genre.  He has a Bachelors degree in music from Illinois State University, and a Masters Degree in Performance from Ellington University.  He has performed professionally since the age of 7 years old when he was the leader of a 14-piece Salsa Band and performed in National TV for the Mid-day variety show in San Juan Puerto Rico’s Channel 4.  After his musical education in the Conservatory of Music Pablo Casals, in Puerto Rico, and finishing his musical degrees, Manny joined the US Navy Music Program in 1973.  He has lead many Navy Band throughout the US and Overseas.  He was the leader of the famous Navy Steel Band and the world traveled U.S. Navy Show Band.  He toured the entire continent of South America and West Africa doing 7 world tours.  He currently works as the Assistant Director for the CINCSOUTH Band and is also an arranger for many enterprises and bands in the US. 

Art Walk 2004 Review

“One of the most promising artists with a background of rich music from the famous Bomba y Plena 'Cepeda' family of Puerto Rico is Manny Cepeda.  Since the age of 7, Manny has been performing first as the “Timbales Player” in the acclaimed variety TV “Show de Vigoreaus” in San Juan, Puerto Rico’s Channel 4, and with other famous bands such as “Babo Jimenez, Ricardo Ray, Willie Colon and others.

Manny’s talents expanded further as his musical knowledge increased and has also developed into a superb composer and arranger.  He is now bringing his collection of Salsa/Merengue music to the public and it’s sure to be a hit with all the audiences.  His energetic beat and the richness of his songs choruses make for this “Paloma Collection” an album to be remembered.  Stay tuned for more of Manny Cepeda’s music.” 

Robert Evans, Owner & Art Director, Little Italy Art Walk 2004


For more information on Manny Cepeda, please visit his website at: www.mannycepeda.com

Office:  230-A
Phone:  (619) 644-7254
E-Mail:  manny.cepeda@gcccd.edu


Alyze Dreiling, Music Fundamentals

ALyze Dreiling

Alyze Dreiling, violist/violinist, was born in Detroit, Michigan.  She began her studies with Mischa Mischakoff –the Detroit Symphony and the Music Study Club of Metropolitan Detroit sponsoring her education. Ms. Dreiling graduated from Indiana University where she studied with Josef Gingold. She holds a Bachelor of Music in Violin Performance from Indiana University and Master of Music from United States International University with an emphasis on Orchestral Performance. She has attended Kneisel Hall, Blossom Music Festival and Academy of the West for chamber music and worked with Walter Trampler, Karen Tuttle, Janos Starker and Menahem Pressler. She has appeared as soloist with the Detroit Symphony, Philharmonia Hungarica at the Vienna Summer Festival, Florida Chamber Orchestra, Knoxville Symphony and Knoxville Chamber Orchestra and served as concertmaster of the Knoxville Symphony and Knoxville Chamber Orchestra before coming to San Diego.  

In the San Diego area, she has appeared as soloist with the International Orchestra, Grossmont Symphony Orchestra and the San Diego State Symphony Orchestra. Ms. Dreiling was founding Artistic Director and Conductor of Classics for Kids as well as being Violinist/Conductor of the International Chamber Players at USIU. Adept with all musical styles, she has played concertmaster for Donna Summers, Smoky Robinson, Dionne Warwick and Tom Scott, to name a few. She has also served as concertmaster for shows at the Old Globe, Civic Auditorium, La Jolla Playhouse, Lawrence Welk Theater and Starlight Musical Theater and has also played with San Diego Symphony, OrchestraNova, Hutchins Consort, Opera Pacific, and Orquestra  de Baja California.   Ms. Dreiling and Myron Fink were awarded a recording prize from Contemporary Recording Society for the production and release of a CD featuring Fink’s Violin Sonata #1 and subsequently the Violin Sonata #2.

Currently Ms. Dreiling is in the process of recording  Fink’s  remaining works for Violin and Viola.   Presently Ms. Dreiling is on faculties at USD and USD Chamber Music Festival and is violinist with Trio Licenza, the piano trio, in residence at USD, a violinist with Quartetto Sorrento and member of the California Consort. Ms. Dreiling is an orchestra coach for Rancho Bernardo, Westview and Del Norte High Schools and maintains a private teaching studio. She is a member of the Music Teachers Association of California (MTAC) and adjudicator for the Certificate of Merit program, member of the Music Teachers National Association (MTNA), and the National Piano Guild.  

Alyze is the Principal Violist of the Grossmont Symphony Orchestra and Violist of the Grossmont Symphony String Quartet. She also teaches courses in Music Fundamentals.

Office:  230-A
Phone:  (619) 644-7254
E-Mail:  alyze.dreiling@gcccd.edu





Justin Grinnell,
General Music & Jazz History

 

Justin Grinnell is a San Diego-based freelance musician and music educator. A versatile acoustic and electric bassist, Justin is comfortable performing a wide variety of musical styles such as jazz, latin, funk, rock, pop, musical theater, and classical. 

In May 2005, Justin received his Master's Degree in Jazz Performance from San Diego State University. While attending SDSU on a full scholarship, he had the opportunity to travel, perform, and teach in South and Central America as a member of two faculty-student jazz groups. At this time, Justin studied privately with internationally acclaimed acoustic bass soloist, Bert Turetzky. 

After receiving his Master's degree in Jazz Performance from SDSU, Justin was accepted into the Henry Mancini Institute's 2005 Summer Education Program on a full scholarship. HMI provided Justin with the opportunity to work with one of Los Angeles' premiere session bassists, Nathan East, as well as Billy Childs, Dave Liebman, Christian McBride, and Vince Mendoza. 

Justin is currently performing and composing for several jazz-influenced groups. In addition to leading his own groups, Justin is also a member of the Brazilian Jazz-inspired Danny Green Trio. The trio's debut CD, "With You In Mind," won the 2009 San Diego Music Award for Best Jazz Album and their 2012 sophomore release, "A Thousand Ways Home," was recently nominated for the same award. Justin is also a member of the ARC Trio, a creative collaboration stretching the boundaries of modern jazz. 

Although Justin is often performing in familiar San Diego jazz hotspots, he is also no stranger to San Diego's best-known theaters: the Civic Theatre, the Old Globe, Spreckels, and the La Jolla Playhouse. Justin has spent a lot of time at these venues as a pit orchestra member for a number of Tony Award-winning musicals, such as A Chorus Line, Avenue Q, The Drowsy Chaperone, Spamalot, Grease, and The Color Purple. 

Justin recently began his doctoral studies at the University of Southern California. Besides studying privately with Los Angeles' first-call jazz bassist, Darek Oles, Justin's enrollment at USC has already given him the opportunity to study with internationally-recognized jazz artists Peter Erskine, Russ Ferrante, Bob Mintzer, and Alan Pasqua. 

In addition to his performing schedule, Justin is also a dedicated music educator. In addition to teaching at Grossmont College, he frequently serves as an adjudicator and clinician at local jazz festivals. 

If you'd like to read more about Justin and his musical activities, then check out his website and regularly updated itinerary at http://www.justingrinnell.com/.

Business Email: justinjazzbass@yahoo.com (preferred mode of contact)
Phone: (619) 644-7254
Office: 230-I

Justin has been teaching in the Grossmont College Music Department since Fall 2005. His current courses include MUS 105: Music Theory I and MUS 111: The History of Jazz.



Jeff Hofmockel,
General Music

Portrait of Jeff Hofmockel

Jeff has been a “gigging guitarist” in San Diego since 1972, and in the 70's worked with many local “Top Forty” bands, including Nimbus, Soul Expression, Showboat and others.  Jeff worked with many blues artists in the mid-70's, such as Tom Cat Courtney and His Blues Dusters,  Kansas City pianist Bob Jeffries and Jamaican blues artist Louis Majors. In the mid-70's Jeff was also a member of rock band Jamul, who had a Billboard Top 100 hit with their rendition of “Tobacco Road.”  From 1978 to 1988, Jeff worked mainly with “oldies” band the Ducktail Revue at the Sheraton Harbor Island, Mission Valley Hilton Hotel, Hanalei Hotel and many other restaurants and clubs. With the Ducktail Revue, Jeff has performed as an opening act for the Platters, the Coasters, Frankie Avalon, the Diamonds, Little Anthony, the Drifters, the Hollywood Argyles, the Kingston Trio, the Bellamy Brothers, Roger Miller, the Association, the Four Freshman and Mel Tillis.   As a member of Reeves In Motion, Jeff  backed up the Coasters, and as a member of the Belair Boys, Jeff opened for the Four Tops.  Jeff has also performed with “oldies” bands Rama Lama, the Impostors, and the Midnight Hour.

Since 1995, Jeff has mainly worked with Breez’n, a variety band that does smooth, Latin and straight-ahead jazz as well as pop, disco, classic rock and rhythm and blues.  Breez’n has  played many wedding receptions, corporate events and private parties, along with restaurants, night clubs and many summer “Concert in the Park” events.  Breez’n has played at the KIFM Jazz Festival every year since 1996, and also performs yearly at the Del Mar Electronics Fair.  Besides continuing to perform with Breez’n, Jeff works with various straight-ahead jazz combos and alternative rock band Kitten With a Whip. Jeff also plays at the Comedy Store on Sunday nights,  “riffing” between comedy acts!

After graduating from high school in 1970 and attending UCSD as a math major, Jeff began his musical studies at Mesa College in 1972.  Jeff continued to take music classes at San Diego State University through the 70's and 80's while continuing to “gig” and work part time delivery jobs, finally receiving his Bachelor of Arts degree in 1990.  Jeff returned to SDSU to complete his Master of Music degree in Jazz Guitar Performance in 1998.  While a student, Jeff studied jazz guitar with Everett Gonsalves,  Peter Sprague, Bill MacPherson and Art Johnson.  Jeff also performed with the SDSU Jazz Ensembles and Jazz Combos, including 1997 concerts with the “A” band backing up Gary Lefebre, Ellen Johnson, Louis Bellson and Pete Christlieb.  Jeff also taught three semesters of Jazz Guitar Ensemble and a semester of Jazz Combo while a grad student at SDSU.

Jeff has taught History of Jazz at Grossmont College since Fall 2005.  Jeff is one of two staff Jazz Guitar instructors, and has taught Class Guitar and subbed for Music Theory classes. Jeff has performed with the Grossmont Jazz Ensemble, the Grossmont Jazz Faculty and fellow teacher Paul Kurokawa.

Office: 230-I 
Phone:  644-7254

Audra Nagby, Voice & Performance Studies

Audra Nagby

Audra Puccio-Nagby, Lyric Coloratura Soprano, has sung internationally as a soprano soloist for Handel’s Messiah , Lloyd-Webber’s Requiem, Vivaldi’s Gloria, Mozart’s Requiem, Haydn’s Creation, Faure’s Requiem, Mozart’s Missa Brevis in C , Orff’s Carmina Burana, and Haydn’s Lord Nelson Mass, and most recently was invited to sing as a soloist with Grossmont Master Chorale and Symphonic Orchestra in Bach's Magnificat, and Monteverdi's Magnificat. Audra has a particular love for singing sacred music, believing that all gifts are given from God. Along with sacred music, Audra has appeared on stage in a number of opera, oratorio, and musical theatre roles.

Audra’s favorite opera roles include Tytiana from A Midsummer Night’s Dream, Baby Doe from The Ballad of Baby Doe, and The Queen of the Night from Die Zauberflöte.  She has also performed in several of Gilbert and Sullivan’s operettas, and was last seen as Mabel in Pirates of Penzance . Audra’s favorite Musical theatre roles include Eliza Doolittle from My Fair Lady, and The Narrator from Joseph and the Amazing Technicolor Dream Coat. In addition to acting in musical theatre, she has also had the pleasure of being a children’s musical theatre director and choral music director for the past ten years. She loves teaching as well as singing and hopes that her passion for music will rub off on her students and inspire them to continue to grow in their musical pursuits.

Audra earned her Master's of Music in Vocal Performance from San Diego State University, and is currently living in San Diego with her two energetic little boys, her wonderful husband, and dog named Figaro. She maintains an active voice studio, and serves on the board of directors for the National Association of Teachers of Singing as well as the Grossmont College Friends of Music.

Audra has been a member of the Grossmont College Music Faculty since the Fall of 2013.   Her classes include Voice Class, Performance Studies as well as serving as music theory tutor for the department.

Office:  230-I
Phone: 644-7254
E-Mail: audra.nagby@gcccd.edu



Lorie Kirkell,
General Music

Portrait of Lorie Kirkell

Lorie is an acclaimed young American cellist, who has developed a glowing career on the West Coast as soloist, recitalist, and chamber music player. After her studies on the East Coast with distinguished cellists Raya Garbousova and Bernard Greenhouse, she spent some time doing freelance work and repertoire development. She then came to the West Coast where she earned a Master of Arts degree in music at the University of California San Diego and studied with the well known cellist Peter Farrell. Her research into repertoire moved into the 20th century as well as performance practice of music of earlier times. After this, a long series of recitals and solo appearances began and continue with noticeable frequency and high critical acclaim. She has appeared as principal cellist with orchestras for the Bolshoi Ballet and San Francisco Ballet.

Lorie Kirkell has been a member of the Grossmont College Music Department Faculty since 2002.  Her classes include Great Music Listening.

Office:  230-I
Phone:  (619) 644-7254
E-Mail: lorie.kirkell@gcccd.edu



Chris Klich,
General Music

Portrait of Chris Klich

Chris, a native San Diegan, has been performing professionally for the last 26 years, playing engagements in San Diego, Orange County, and Los Angeles, and has toured in Texas, Hawaii, Illinois, Missouri, Arizona, New York, Ohio, Tennessee, New Mexico, Louisiana, Colorado, Nevada, and Utah. In addition to his many stateside performances, he has also done a great deal of touring in countries as diverse as China, Macau, Canada, Norway and Sweden. Holding Bachelor of Music (UCSD 1983) and Masters in Jazz Studies (SDSU 2005) degrees, he has worked with dance band favorites The Fabulous Mar Dels and the Heroes, swing band Tobacco Road (featuring Sue Palmer), blues artist Candye Kane, variety bands The Rhythm Method, Harvey and 52nd St. Jive, and The Rhythmakers, and funk group Wise Monkey Orchestra, as well as many of the other popular groups in San Diego. He can currently be seen with his own Chris Klich Jazz Quintet, one of the best mainstream jazz groups in the city. The Quintet plays San Diego's jazz clubs and concert venues, as well as many weddings, corporate events, and private parties. In addition, Chris performs often at club events, church services, and concerts with other musicians, does a good deal of studio recording, and plays everything from jazz to blues to swing to top-40. The Quintet plays many weddings, corporate events, and public shows every year.

Chris has performed in nearly every venue in San Diego, Los Angeles and Las Vegas including Caesar's Palace and the House of Blues (New Orleans, Los Angeles, and Downtown Disney). Locally, he can be seen at Dizzy's, the Coyote, Croce's Top Hat,, Twiggs, Claire de Lune, La Costa Resort, The Four Seasons Aviara, Scripps Aquarium, The Darlington House, Orfila Vineyards, Le Meridien, the Sheraton, the Hyatt, Morgan Run Golf Resort, and the U.S. Grant Hotel, playing club events or private parties.

Chris Klich has been a member of the Grossmont College Music Faculty since 2006.   His classes include History of Jazz.

More information on Chris Klich.

Office:  230-I
Phone:  644-7254
E-Mail:  chris.klich@gcccd.edu



Philip "Jay Jay" Lim, Piano Studies, Music Education

Portrait of Philip "Jay Jay" Lim

"Jay Jay" completed his B.S. with a minor in music at the University of Arizona and his B.M. in Music Therapy from the Berklee College of Music.  He has since worked as a music therapist, educator, and performer in San Diego since 1999. He served eight years as a music therapist at the Bayview Behavioral Health Campus in Chula Vista, where he helped clients of all ages cope with various psychiatric issues.  His position at Bayview also allowed him to work as a clinical training supervisor for Musicworx of California, where he has supervised, oriented, trained, and formally evaluated music therapy interns to prepare for work in the adult psychiatric setting.

Since 1999, Jay Jay has served as a music therapist and educator for the Greene Music Education Center. As an educator for Greene Music, he has had the chance to acquire a wealth of experience of teaching piano to the adult learner, and as a music therapist, his experiences have varied from creating a geriatric music therapy program for assisted living and skilled nursing facilities, to involvement with the Senior Recreational Music Making Project, a bi-coastal research collaboration between Yamaha, Remo Drums, and the Mind-Body Wellness Center in Meadeville, PA.  During this 2-year project, he was one of two music therapists on a research team which studied the effects of creating a “musiculture” within an older adult facility.

Although education remains his passion, Jay Jay has enjoyed a busy schedule as a performer.  He is music director and accompanist for Park Hill United Methodist Church in Chula Vista, and he plays twice a week at Croce’s Jazz Bar for both Yavaz and the Dave Scott Ensemble.  He is currently a board member of JAG (Jazz Association of Greater San Diego), and since the year 2000, he has been pianist and coordinator for a weekly jazz jam which is currently held at South Park Bar and Grill.  He has more recently finished a M.M. in Jazz Studies at the San Diego State University, where he studied with Rick Helzer.  Jay Jay continues to study with San Diego pianist, Lynn Willard. For more information on Jay Jay, please visit his webpage at:
www.jayjaylim.com  
Jay Jay has been a member of the Grossmont College Music Faculty since the Fall of 2007.   His classes include Class Piano and Introduction to Music.

Office:  230-I
Phone: 644-7254
E-Mail: pianoinstructor@gmail.com

 

 

 


James Morton,
Percussion Performance, "Rock" Studies

Portrait of James Morton

James was born and raised in Houston, Texas and received the major portion of his musical education through "experience."  Having performed with several notable artists in the jazz and rock fields, he continues to perform in a variety of venues.  He has written for Mel Bay Publications since 1980, and has ten books to his credit.  Some of his publications include:  You Can Teach Yourself Drums, Easiest Drumset Book, Easy Rock Drum Charts, Killer-Fillers, and Rock Studies for Drumset.  He recently completed an instructional video for Mel Bay, and is currently working on a book about "rhythm and blues" drumming.

Mr. Morton has also been a founding member of the Grossmont College Music Department Faculty Jazz Quintet called
Ars Nova.

James Morton has been a member of the Grossmont College Music Department Faculty since 1989.  His classes include History of Rock and Roll, and Modern Drumset Technique.

Office:  230-I
Phone:  (619) 644-7254
E-Mail: 
jmortondrums@sbcglobal.net


Branden Muresan, General Music

Branden is a native of Southern California. He holds a Bachelor' s of Music in Violin Performance from San Diego State University where he studied with Igor and Vesna Gruppman as well as Juanita Cummins. Muresan completed his Master's in Music in Instrumental Conducting under the supervision of Donald Barra and Harold Warman from SDSU in 2000.

During the past three years, he has conducted concerts given by the SDSU University Symphony and collaborated with SDSU Opera Theater for a production of Gilbert and Sullivan's The Mikado.  Muresan has appeared previously as guest conductor for both the Grossmont Symphony and the Palomar Symphony Orchestras.  Muresan is on the faculty at both Grossmont and Palomar Community Colleges as well as substitute conductor for the Civic Youth Orchestra of San Diego.  Muresan served for three years as volunteer strings chairman for the Music Teachers Association of California, and is currently string coaching for the Helix High School Orchestra.  A resident of San Clemente, Muresan also gives private instruction for students from Mission Viejo to San Diego. Muresan currently occupies the STAT Pharmaceutical Company’s Mentor /Tutor Chair in the Grossmont Symphony and performs both as violinist and Assistant Conductor of the Palomar Symphony Orchestra.
 
Branden Muresan has been a member of the Grossmont College Music Department Faculty since 2001.  His classes include Great Music Listening and Introduction to Music, in addition to occupying the STAT Pharmaceutical Endowed Violin Chair in the Grossmont Symphony Orchestra..

Office:  230-I
Phone:  (619) 644-7254
E-Mail: violinmanb@yahoo.com


Katherine (Ekaterina) Petrosyan, Staff Accompanist
Katherine Petrosyan thumbnail

Katherine graduated from the Moscow State College of Music earning a Bachelor of Music degree in piano performance in 2003. She also earned a Master of Music degree in piano performance in 2008 from and her Master of Music Degree from the Maimonid State Academy of Classical Art--having studied with internationally respected pianist, Victor Derevianko—who was a student of famed piano pedagogue, Heinrich Neuhaus.  

Katherine has received numerous honors in international piano competitions to include international piano festivals of Lithuania, and Tel-Hai (Israel), including the Frederic Chopin Piano Competition in Moscow, Russia. While in Israel, Katherine had the opportunity to study with famed pianist, Nikolai Petrov. 

Active as a performer since 1992, Ms. Petrosyan has concertized throughout Russia, Siberia, Armenia, Lithuania, Israel and the United States having performed in such venues as the Small Hall of Moscow, the Tchaikovsky Conservatory, the Rachmaninov Hall of Moscow, the Music Hall of the Gnesin Russian Academy, the Music Hall Museum of Glinka, and the International Music Hall of Svetlanov in Moscow. 

In addition to her performing career, she has professionally accompanied solo instrumentalists and choirs throughout Russia and the United States, having been offered an accompanying contract by the esteemed Bolshoi Ballet just prior to her relocation to the United States.  

In San Diego, Katherine has formerly accompanied for such local institutions as Point Loma Nazarene University, the University of San Diego, the University of California at San Diego. Katherine also maintains a private studio and performs regularly with her violinist husband, Michael (Mikhail) Dvoskin, while currently serving as accompanist for the East Village Community Church of San Diego.


Tim Poulin, Music Theory
Tim Poulin - thumbnail Tim is a passionate freelance teacher and composer.  His compositional work has focused on generative and interactive electronic pieces but also includes music for video and acoustic instruments.

Beginning his music career as a Grossmont College piano performance major, Tim then continued his studies at the University of California Santa Barbara’s College of Creative Studies where he received a B.A. in Creative Studies (Music Composition) in 2002.  He graduated from SDSU with an M.M. in Music Composition (emphasis electronic music) in 2010, where he helped run the bi-annual Electronic Music Marathons and the annual New West Electronic Arts and Music Organization (NWEAMO) festival.  As a Sally Casanova pre-doctoral scholar, Tim studied and acted as guest artist in Morelia, Mexico at CMMAS (Centro Mexicano para la Música y las Artes Sonoras), the Mexican Center for Music and Sound Arts, where he presented work on the connection of dynamic animations to generative sound. 

Tim’s works have received numbers performances including interactive pieces that have been featured at the Galapagos Art Space (Brooklyn NY), and Stony Brook University. 

In addition to teaching, Tim is currently working on new exploratory sound pieces based upon cognitive thresholds as well as music related to romantic science-based themes.

Tim joined the Grossmont College Music Faculty in the Fall of 2011.  His classes include Music Theory.

Office: 230-I
Phone: 644-7254
E-mail: tim.poulin@gmail.com
Web: www.timpoulin.com

John Reynolds, Jazz Band
John Reynolds John Reynolds is a highly sought trumpeter in Southern California, adept in performing many styles of music.  John holds a Doctorate in Musical Arts from the University of Southern California as well as degrees from San Diego State University and Point Loma Nazarene University. John performs frequently with his own groups, John Reynolds Jazz Quintet and the Pacific Sound Brass Quintet.  He is often contracted as a freelance trumpeter in Southern California. In the Jazz world, John has performed with  John Clayton, Jeff Hamilton, Gerald Clayton, Graham Dechter, Rickey Woodard, Jackie Ryan, Bob Mintzer, Peter Erskine, Bobby Shew, Frank Mantooth, Gilbert Castellanos, Marshall Hawkins and many others. Other groups with which he has performed include the Ira Liss Big Band, Westwind Brass, Millennia Consort and the San Diego Chamber Orchestra.

As an active part of the San Diego music community, he can be seen performing frequently in both Jazz and Classical venues.  John recently played for the production Broadway production of Peter Pan (featuring Cathy Rigby) and for the Distant Worlds Orchestra (presenting the music of Final Fantasy) with members of the San Diego Symphony at UCLA.  He also recently played solo piccolo trumpet for 50th wedding anniversary of the parents of Bill Gates. 

John is currently adjunct faculty in the Grossmont College Music Department as well as Point Loma Nazarene University. John is a member of the International Trumpet Guild, the Musicians Association of San Diego County Local 325, Jazz Educators Network and the College Music Society. As a new member of the SCPA team, John is director of Orchestral and Jazz studies.

Office: 230-I
Phone: 644-7254
E-mail: jreynolds@sandi.net
Web: http://www.sandi.net/Page/46008
Marion Rodewald, Piano Studies, Music Education

Marion is the daughter of a U.S. Army bandmaster.  She earned a Bachelor of Science degree in piano in 1969 from Old Dominion University in Norfolk, Virginia.  She also pursued graduate studies in music and pedagogy at San Diego State University.

Ms. Rodewald has taught piano and basic music at Grossmont College since the mid-seventies.  She has also taught at St. Mary's College in Notre Dame, Indiana and at Southwestern College in Chula Vista.  As a frequent recitalist, Ms. Rodewald has given piano performances at Grossmont College, the East County Performing Arts Center (ECPAC) in El Cajon, the Music Academy of the West in Santa Barbara, and for the Noontime Concert Series at the Civic Center in San Diego.

Ms. Rodewald currently serves on the Musical Merit Foundation of Greater San Diego and is a former board member of the Music Teachers Association of California.  Ms. Rodewald maintains an active private piano studio in addition to holding a position of adjunct music professor at Grossmont College.  To broaden her musical horizons, Ms. Rodewald currently studies bluegrass guitar with Walt Richards of San Diego.

Marion Rodewald has been a member of the Grossmont College Music Faculty since 1975.   Her classes include Introduction to Music, and Class Piano.

Office:  230-I
Phone: 644-7254
E-Mail:  Marion.Rodewald@gcccd.edu



Melonie Grinnell,
Piano Studies, Vocal Jazz Ensemble

 

Melonie began studying piano at the age of four, and has since been recognized not only for her skills as a pianist but also for her abilities as a musical director, piano instructor, vocalist, and music educator. Melonie received a Bachelor of Music (Education/Jazz Emphasis) from the University of Miami in 1996.  In 2003, she received a Master of Music degree in Jazz Studies from SDSU. 

Melonie has an extensive list of musical performance experiences, both at the collegiate level at SDSU and in the free-lance field.  She plays jazz, Latin jazz, salsa, classical, and musical theater.  Additionally, she has performed in well-known San Diego venues, including Dizzy’s and Croce’s Jazz Bar. Melonie is active as a performer in the jazz community and has worked with Lori Bell, Ron Satterfield, Gilbert Castellanos, Rob Thorsen, Tim McMahon, Duncan Moore and the Benny Holman band.  She has done extensive work as musical director and pit keyboardist for Starlight Civic Theater, the San Diego Repertory Theater and the Lawrence Welk Theater.  Additionally, she has been employed by Royal Caribbean International Cruises, both as a pianist and musical director for shows featuring major headliner acts. 

Her teaching experience extends to Southwestern College and Miramar College where she teaches courses including: World Music, Vocal Jazz Ensemble, Introduction to Music and Music for Elementary Teachers and Class Piano. Melonie is also a member of Local AFM 325.
Melonie Sacalamitao has been a member of the Grossmont College Music faculty since 2001.

Office: 230-I
Phone: (619) 644-7254
E-Mail:
melonie.grinnell@yahoo.com

For more information on Melonie Grinnell, please visit her professional webpage at: www.meloniemusic.com


Russ Sperling, Concert Band

Portrait of Russ Sperling

Russ, Music Director--Grossmont College Concert Band, is the Visual and Performing Arts Coordinator for the San Diego County Office of Education.  He provides consultations and services to the 42 school districts in San Diego County on all facets of arts education, K-12.   Mr. Sperling currently serves as President of the California Music Educators Association (CMEA). He is the founding and current President of the San Diego Winds, a professional wind ensemble.  He is the Site Director for the California Music Project (CMP) operating out of San Diego State University.  

Mr. Sperling recently served as Director of Visual and Performing Arts for the Sweetwater Union High School District.  He was responsible for visual art, dance, theatre and music for that 43,000-student district.   Mr. Sperling began his career as the Instrumental Music Director at Helix Charter High School.  During his fourteen year tenure at Helix, the band and orchestra tripled in size, won numerous awards and performed in Europe on three tours.  For three years, Mr. Sperling served as the Program Manager for K-12 Music for the San Diego Unified School District and while under his leadership, instrumental music enrollment in the district increased by 28%.  

Mr. Sperling holds a B.A. in Political Science from California Polytechnic State University, San Luis Obispo, a Masters in Educational Leadership from Point Loma Nazarene University and a second Masters in Music Performance with an emphasis in Conducting from San Diego State University.    Mr. Sperling was recently honored as a distinguished alumni by the School of Music and Dance at San Diego State University.  He has received the “Prize Principal Award” from KYXY FM and Point Loma Nazarene University.  He has twice been awarded Band Director of the Year the CMEA Southern Border Section and also their District Administrator of the Year award.  He has received the Golden Apple Award from Helix Charter High School for excellence in teaching.    Mr. Sperling is a Southern California School Band and Orchestra Association (SCSBOA) Festival, Field and Parade Adjudicator. 

Office: 230-I
Phone: 644-7254
E-Mail:   rsperling@sdcoe.net



Robert Wetzell,
Guitar Studies

Portrait of Robert Wetzell

Robert belongs to that small generation of gifted former students of the legendary Romeros family guitar dynasty from the period between 1972-1985 who has succeeded as a professional musician. Devoted to the classical guitar, he has continued with his primary vocation, maintaining a busy schedule of practicing, performing, recording, teaching and arranging music to this day.

He made his formal concert performance debut by sharing the stage with his mentors, the legendary Romeros, as the fourth member of the performing guitar quartet at the August Moon Concerts of the Napa Music Festival in 1977. His status confirmed alongside Celin, Pepe and Angel Romero, he performed the lute and guitar parts of their father, the great Celedonio Romero who was vacationing in Spain that summer. The Napa concert that Robert participated in was a special rare program by the Romeros that featured ensemble performances on lutes, vihuelas and guitars.

On commenting about his early life and ascension up the ladder rungs of early music successes, Robert states: “A native of the Netherlands with Dutch-Indonesian and Chinese lineage, I immigrated to the United States at age two with my parents, two older brothers and sister, settling in Dallas, Texas. My mother, Leonie, intuitively sensed my inclinations towards artistic sensibilities and encouraged me to draw and later persuaded me to study the piano which I undertook until I was age eleven.

It was after my sister brought home a Silvertone acoustic guitar, that I switched my musical allegiance and thus I began my lifelong love affair with the guitar. I began studying with my first classical guitar teacher, Darryl Ray Saffer, at Southern Methodist University, who introduced me to the Romeros when they visited his house during their U.S. tour in 1971. After intensive study of the classical guitar while still a teenager, I was granted the opportunity to be a performer in the guitar master classes of Pepe Romero, Christopher Parkening, Oscar Ghiglia, and Robert Guthrie which were held in Dallas. The following year I began private studies in Del Mar, California with one of the worlds’ greatest guitarists, Angel Romero, who graciously invited me to reside in his residence during my yearly summer studies with him. During this musical apprentice-ship in the old-European style approach of ‘I’ll show you how to do it, now you try’, I developed close friendships with each member of the Romero family who often referred to me as their ‘little brother’.”

In 1975, another great master guitarist, Pepe Romero, awarded Robert the honor to study on full scholarship for five consecutive years at his then annually conducted master classes in Houston, Texas.

Robert relates another anecdote from this time: “Pepe also cordially invited me to study privately with him in Del Mar and he showed me the same degree of kindness as Angel had expressed earlier by allowing me to reside in his family’s house during those periods of study of the guitar before I moved permanently to California in 1979. This early bohemian lifestyle privilege gave me the priceless opportunity not only to learn how to play the guitar from one of the greatest masters, but also enabled me to witness how great artists live from dawn to dusk. It was very enlightening for me and I was determined to devote my life to music and survive by music.”

During this period Robert also participated as a performer in master classes by two Spanish master composers of the 20th century, Joaquin Rodrigo and Federico Moreno-Torroba. The master classes were organized by Pepe Romero and were held in Houston and Dallas, respectively. Private guitar studies in Del Mar coincided with Pepe Romero and later with the gran maestro and patriarch of the Romero family, Celedonio Romero, whom Robert cites as his greatest influence:

“I had studied diligently with his sons and had learned much and drew great inspiration from them, but it wasn’t until I had the great fortune to sit next to Celedonio Romero and have him show me personally how fantastic guitar playing with profound musicality was done that I realized where all of his son’s greatness had stemmed from. It was from him! That time was the golden period of my artistic development and some of my fondest memories are from those times spent with Celedonio at his home in Del Mar, sometimes enacting the respectful student to maestro relationship and at other times just being totally down to earth and assuming the roles of two sincere good old friends. He showed me immense kindness and I really miss him. I am still in touch with his sons Celin, Pepe and Angel and see them from time to time and our relationships too are very special.”

Undergraduate studies with Robert Guthrie at Southern Methodist University earned Robert a BA degree in musical performance and he was the first guitarist to earn a Master of Music degree from San Diego State University under the guidance of Celin Romero.

A founding member of the award-winning Odeum Guitar Duo with guitarist, composer, and colleague, Fred Benedetti, Robert is a frequent performer in solo, chamber music and orchestral concerts and currently he resides in San Diego, California where he is on the music faculties of the University of California, San Diego; San Diego State University, University of San Diego and Grossmont College.

As a recording artist, he has recorded his arrangements for two guitars on two CDs by the Odeum Guitar Duo on SBE Records, one of which, entitled “Concert Hall Classics”, was awarded and honored as being one of the top ten best independently produced guitar CDs of 2000 by Acoustic Guitar magazine.

The CDs by the Odeum Guitar Duo, which are still available, contain guitar duo arrangements done by Robert from the works by the composers Mozart, Beethoven, Schubert, Liszt, Chopin, Schumann, Mendelssohn, Vivaldi/J. S. Bach, Torelli/J. S. Bach, Boccherini, Rimsky-Korsakov, Scriabin, and Albeniz as well as original works for two guitars by J. K. Mertz.

Robert has recorded two solo albums for SBE Records which were released simultaneously in October, 2004. They are entitled “Guitar Fantasy in Spain and Italy” and “Guitar Fantasy in Spain and Italy Vol. 2”. They contain original works for solo guitar by Fernando Sor, Francesco Molino, Niccolo Paganini, Francisco Guerau, Gaspar Sanz, Jose Broca, Jose Ferrer, Angel Barrios and a guitar arrangement by Robert Wetzel of a work originally composed for lute by Francisco da Milano.

He performs on guitars that were constructed for him by Miguel Rodriguez of Cordoba, Spain (1976, cedar top, palosanto back and sides) and Simon Marty of Sydney, Australia (1999, spruce top, rosewood back and sides). Robert uses Augustine ‘Blue’ extra hard tension for bass strings and Savarez ‘yellow’ non-clear extra hard tension for treble strings.
His favorite guitar of choice is the 1976 cedar top Rodriguez, of which Robert relates about with facts on how he obtained the magnificent instrument:

“My parents were vacationing in Spain in 1975 and upon checking into their hotel room, they surprisingly met Pepe Romero and his parents, Celedonio and Angelita, in the lobby of the very same hotel. You’ve heard the saying, ‘it’s a small world’. My father told me upon his return to the States how he could hear Celedonio practicing through the hotel room walls since they were given adjoining rooms on the same floor!

Anyway, my father got together with Pepe and told him that he wanted to get me the best guitar possible, so Pepe phoned the Rodriguez shop in Cordoba to order me a guitar. A few months later the guitar arrived with two other Rodriguez instruments in Houston, Texas at the Guitar Gallery of Houston which at that time was owned by some friends of ours, and I picked my guitar out of the three. I’ll never forget the acts of my father and Pepe to get my favorite instrument which I use exclusively for my recordings and some concerts. I used it on all of the tracks for the Odeum Guitar Duo recordings and for the two solo debut CDs originally released on SBE Records in 2004 and then later issued again with permission in 2005 on my own independent record label, Concert Hall Records.”

For more information on Robert Wetzel, please visit his professional webpage at: www.robertwetzel.com

Robert Wetzel has been a member of the Grossmont College Music Faculty since Fall 2006.  His courses currently include: classical guitar and class guitar.

Office: Room 230-I
Phone: (619) 644-7254
E-mail: rob91977@aol.com

   


 

 

Music Technician

Anthony Cutietta
Anthony Cutietta

Anthony Cutietta is our new Department Music Technician. He is the guy to talk to when you have questions or need help!

 

More about Anthony:

 

A former student of the Music Department, Anthony is an active musician and private music instructor. He studied classical guitar under Fred Benedetti here at Grossmont and completed all of the music major courses. So, he knows what it is like to be in your shoes as a Music Major!

For more information on Anthony Cutietta, please visit his professional webpage at: www.anthonycutietta.com

Office Hours: Monday through Friday
M-F 8:00 a.m. to 5:00 p.m

Office: Room 223

Phone: 619-644-7254 Email:

 anthony.cutietta@gcccd.edu

 

 

 

 

 

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