Six Descending Notes, (c) 2002 Karl J. Sherlock

 

 

 

 

 

 

CONTENTS

 

  ·     Some Sunday

 

  ·     Church and State

 

  ·     Tinker's Damn

 

  ·     Waking the Angel

 

  ·     The Marrying Kind

 

  ·     Ashamed

 

  ·     Six Notes

 

  ·     Links

 

 


 

 

 

 

 

 

SOME SUNDAY

 

Before sleep, and testing the worrisome gas pilots, you saw a spirit

smudging the full moon's face, and begged not to let those clouds abridge

that moment, not to blot out your mother's image. But they did. And in you, a lamp

might have burned its fuel: no last chance to reach up and take hold

of that white, reproachful look. What else could have matched it:

the face in the open casket, the wisps of white hair, tatted lace

 

filigreed about the neck? High over the patio's trellis

loomed your mother's ghost. Then, in the sky's great bog, her spirit

submerged into its filaments. And you slunk back into your average

house, and saw things perhaps the way they really were: no lamp

quite as bright as that moon now; where there was once a husband to hold,

nowadays the portly Pomeranian coiled about your feet at night; the matching

 

laminate provincial dressers and the lumbering armoire that didn't quite match,

the one he called "the confessional"--how droll--and the curtains laced

back against the window to let the moon paint the patterned spirits

across the quilt. In this room, you slept; he, in another. And what was Bridge St.

this far from her stony grave, now ambled over by the bored Irish lambs

amid the drizzly pasture? What remains were there of a marriage, whole

 

at first, then slowly given over to the dull disintegration when the hole

between the giddy, girlish past and the sober, ancient present, widens and matches

the mood of that first, sullen, drag-out fight some thirty years ago. If he lays

another hand on you, you'll end it there, take heed. It won't be the spirit-

broken mother who bundled up her youngest, and cried with him on the foot bridge

of Grant Park until frost bit through grizzled afternoon and the lamp

 

posts frowned over the wrack of leaves below. Thinking how you lampered

home then, my mother, what amazement to watch you, years later, hold

my arm one dark Sunday night, dash from the Dunns' cottage--matchless

and sure-footed through the treacherous bog and boots laced

tighter, as though they were keeping both our nerves secure--and spearhead

the trek back to your father's cottage. How did you bridge it,

 

cross that fear in the years before you died? When did you take umbrage,

at last, with the moon and its misery? With a husband's bedroom lamp

out by eleven, and the quiet remainder of a Sunday night to hold

your hand into the dull, forthcoming week? I see you now among images

of a different sort: gazing down, lucid and cool, upon the empty place

where you used to live. I see you before that confessional in higher spirits,

 

your ghost blustering the lace curtains, and clutching three matches:

one to hold beneath the guilty house; one, to bring down the foot bridge; and

one to blaze the lamp which, through the long night, I know, will spirit you.

 

 

 


 

CHURCH AND STATE

 

Converting church to polling station seems a breech of faith:

in place of font and tabernacle, here, a ballot box;

and where, against these walls, the pooling candles should have cast

their soulful flickers, now with room to romp, a lawless child

deals his mother glancing blows. Even the minister keeps

a layman's spellbound gaze fixed upon the desperate measures

 

she must take to bring the boy to heel. We're all the measure

of a parent's worth, but hardly does it hearten faith

in political institutions or the moral charge wherein we keep

our trust, to see her act with pride in civic duty, and then box

her son about the ears. I begin to wonder, whose brainchild

was this, to strip a sanctuary bare, enlist this stoic cast

 

and crew from the church's congregation diligent to cast

upon my civic duty such a pious feel? But then, these measures,

props, seats and senators--so often they're just child's

play for church and state. And votes, just prayers: for shaken faith

of migrant farmers kneeling at those dirty crates which box

our grapes and melons; for communion of the rich who keep

 

a city's dreams protected for themselves; or for the upkeep

of the cross on public lands. What to do with indigents, cast

from park to depots? Gay men crucified on fences? A box

of simple ballots saves or damns the souls of many; measures

morals in reduction of the taxes; imbues the poor with faith

in economics or casinos; or, with the stubbornness of a child,

 

miraculously changes the canyons into acreage. As a child

I prayed to flags and banners hung behind a priest who'd keep

the votive candles burning at all hours, and administer his faith

in contributions tithed, in scraps of soap and aspirin, outcast

tee-shirts bundled for Biafran children; he'd countermeasure

Father Groppi marching viaducts beside Negroes, yet our poor-box,

 

chiseled finally off the vestibule wall, never once was filled. One backs

these pulpit politics, especially when told to see as a child

sees the world and multiply the hymnal numbers to measure

out the mystery of life. But, safe at home by order of the curfew, I'd keep

my scapular and missal boxed, then listen to the soul's downcast

sermon of the things that fill our prisons and our pews: blind faith

 

in every promise sworn before a child; the great and measured

guards and gods who keep our hopeless company; and the ballot, cast

into its cardboard box, then winnowed with a little faith.

 

 

 


 

TINKER'S DAMN

 

A pushcart in a suburb, a rag-and-bone chant, a brow of olives:

It was beyond me how a tinker found himself among these houses.

How many boulevards of new cement and mid-summer gasps

before a glass of tap water and a fistful of dull knives

ever changed hands? Desperate to charm us, he had tied ribbons

to his axles and sweat-stained jacket. And still, to keep him off her beds

 

of statice and marigolds, a neighbor nudged a sprinkler, made its knives

of water arc across his path. Surely he must have wondered how she lives

within: who cooks in the cool, darkened kitchens of bungalow houses?

Aprons, unsullied and starched, are folded into linens drawers, ribbons

instead of straps. Gleaming copper kettles are made cachepots to bed

the odd bromeliad; no blades to whet, nor tines to temper; no gaps

 

inside leaky pots, to dam up. Walkways spool between cedar ribbands

to doorsteps. The closely cropped blades of timothy, like stumpy knives

broken at the forte; curbstones and gutters, rilled with tiny leaves

brooking the sod's run-off into sewer grates that, block after block, embed

his wheels, make him set the cart to rights, so that the neighborhood's gasp

ushers him onward, to terminus: a road piebald with potholes and houses

 

whose porches are shucked of whitewash; driveways, mere beds

of crabgrass and gravel. Here, the poorer folk admired his ribbons:

a son, urged forth with an enameled cup of orangeade and, yes, the knives

to sharpen. But beyond this point, only what we called "country," some gasps

of settlement: cedar waxwing; ambling worker bees; what was a tree-house

once; jack rabbits threshing clotted fields of burdock, where none of us dare live,

 

and where, broken by his toil, he turned back. Years after, canyons gasp

between cactus and the honeycomb of housing tracts, and now the bad

portent of our progress flanks my freeways, amending roadmaps with ribbon-

cutting ceremonies; I grind the car's gears to work, and spackled houses,

mouldering the valley with chalky roofs, assure me of what will outlive

siskins or scorpions in a scuttle of coastal sage. Once an architect connives

 

to raze their scrubby hillside, she will edge forth this margin of houses,

force the folds of land to bow down until the desert's breath gasps

out and out. It wounds me, but who else will lie down on this bed

of neglect: I know I travel the graded country, fated to relive

this engineered loss of self--a foot upon the pedal; a wrist against the knife's

keen point of little duties to eke out a life amid lost jobs; the blue ribbon

 

prize of steady work to ferry me past these ugly houses, strewn ditches. "I'll live,"

I say--yes, but the cars gasp across overpasses, and trailers jackknife

until the mesas and all my lost, sweet riverbeds of dust, are torn to ribbons.

 

 

 


 

WAKING THE ANGEL

 

One jolt, and he's upright, near wakeful, and lurching from that same dream

of parrots flaming over the cold moraines, finials of canopy, and vales

of other-worldly sadness. Seconds expire when he and this vision alone

are all that exist. Then the fiction darkens, only a far-off car alarm left

to ponder. Sometimes, to calm him, I'll sit up as well, my arm like a wing

brooding across his shoulders, then tell him where he is, ask him if he's sick.

 

This, we know, is a relative term (some hours more fickle with pain). The last six

empty months we have grieved, even in our sleep, to fix this damaged dream.

She has died, Pionus senilis, after a lengthy, staggering illness, owing

to systemic aspergillosis. This quietly ravaged her lungs with a veil

of fungus, which burgeoned until every other organ withered--inevitable if left

undiagnosed for as long as that. And how antiseptic, to think along

 

such lines; to disinfect the qualities and charms that rendered her a lone

four-year-old, and gave that wasted bit of life some meaning. No forensic

dispassion could ever undo those mornings when, seeds in tote, before we'd lift

the threadbare blankets covering our angel, we'd hear her through their dreamy

artificial dusk, querying our presence with a few syllables of greeting, veiled

and garbled; once freed, she would climb up, ill-tempered, stretch the pinioned wing

 

which could sanguine both ceiling and shirt with its blood feathers; and next, swing

forward, befuddled, to be lifted up, kissed, walked, then settled again into a cyclone

of seed husks and nutshells. But like a child who thinks on life's brevity, fails

to grasp it, then one day, does, and finds it in her breath, she slipped into the sick

repose of the dying. And he, too, very near death then, sobbed into fever dreams,

vomited foam, and soaked the terry towels with sweat, while, wheezing to his left,

 

in her corner: a needled breastbone and lump of feathers patchy from surgeries that left

wine-stains of iodine, stitched with scabs she'd pluck from the downy under-wing;

her eye leering below a waxy lid as he fumbled with his urinal. And this pipe dream--

that she'd preen again her gory plumage, that he'd soon quit his tumult--I left alone.

This, the doomed condition: that she must choose to live awhile longer, for his sake,

if only that he would heal enough to see her yield. And to this secret end I availed

 

new routines: squeezing out cold flannels, rushing ice-packs when his nausea prevailed;

swelling her improvised tent sibilant with oxygen; swabbing out his pale, left

putrefied with the aspic of his stomach; urging from her the droplets of fungal sick

that sputtered through her ceres to my cheek when I flapped her exhausted wings.

Until, one day, he arose well enough, and she, at dawn, cradled her cap into the loom

of my hand, and finished it. How, then, to seek out grace but in the breach of his dream

 

where he may swag his hand into the cleft, then fold down again, homesick

for her stunted wing? Each of his gasps alighting my neck must be a lone

shiver of failed flight; each, her veiled flutter, breathing into our separate dreams.

 

 

 


 

THE MARRYING KIND

 

He's danced the poor woman for hours, without break,

and the bride's mother has simply had enough: a discreet

signal to the polka band ends it. His breathless guest

finishes her gimlet while clarinets dismantle into silvery

stumps and plush. Then, the entire party is flushed

out: keys in kidskin gloves; frostbitten cars blocked

 

by the stalled Cadillac, nylons shivering below the silvern

slab portico of the banquet hall. A taxi's parking brake

ratchets into place as a drunken uncle spasms the block

with a tailpipe's clangor. Finally, the hall attendant, flushed

and congestive, pulls along a push-broom, consecrates

the ballroom floor with it, locks up the place in disgust.

 

Once newlyweds embark on honeymoon, love decreed

hours ago by church and law, heralded as plumb and flush,

what then but the peevish dregs of a party? When silver

jubilee is next for revelry? When skeptic friends, aghast

at the luck of the married sometimes, ally into a bloc

of gossips dogged about celebrating others' breakups?

 

To hell with that. We'd wed alfresco, full of lush,

shameless witness: Kasia in simple crepe, her august

groom in tweed, plighting troth before the breakers

of Long Island Sound, the staging drilled and blocked

atop a shoreline hillock of granite, open air on salver,

chalice, cruet and candles, like millionaires in Crete;

 

or, my sister Karen's old Tibetan vows, her towerblock

of spouse in lotus wreath and robes; sun and sylvan

canopy across the grass; the smoldering of concrete

pit in which they purged their vices, made their breaks

with the past, and leeward watched the rising gusts

skim with smoke. You and I'd rebuff the camouflage

 

found in pews, temples, and bridesmaids. Skip the bogus

bluster of pipe organs, and antique Battenberg lace blocked

into that swollen bustle of a wedding dress. No foolish

fusillade of rice here. Matrimony makes just one creed:

love's rarity, permitted to be frank, may flaunt or break

tradition. Why, then, dear man, are we barred from silver

 

chalice, shared sliver of cake, or open pledge of kiss? Blocked

from standing flush and proud before parsons, who plague us

to vow a life less indiscreet, and a death to consummate the heartbreak?

 

 

 


 

ASHAMED

 

He's a twilight ghost, nearly a pattern against the gentle

shadows that nettle the freeway off-ramp.  And I would hardly tender

a lengthy stare in his direction, fearful that our looks should cross.

But now, his sloppy form inclines against the dusky hollyhock,

and from the darkness, branching out before him:  a lancet

of skin that, with the murky elegance of a mourning dove trained

 

upon preening a feather's shaft, he is stroking.  That languid train

which cargoed my father to Archangel halted once, near a gentle

stand of pines.  And the luckless young woman who should glance it

to avoid a mired hole in the train floor where others tended

to their bowels unashamed, she ambled off and was hawked

by a Russian guard who, with his bullet, followed her across

 

the field, left her a squalid heap in snow.  Does this tragedy cross

my thoughts now because, in unabashed moments, I feel trained

to bear another's yoke of shame?  My own innocence, so cheaply hawked?

Can the amorality of pleasures, groans and effluence seem genteel,

ever?  I've tried hard enough to own up to my worst moments, tender

though they be to prod and break open with the clumsy lancet

 

of my conscience.  In a first-class couchette across untilled land set

with plundered bricks, I lurched from a wet dream into a puzzled stare across

a train's compartment, where a stranger's marvel grew tender

at my arousal--simply hapless, and no worse.  But when the train

huddled into a station, where, at a border guard's behest, I gently

edged off my winter boot and fileted from my calf, like butcher's hocks,

 

a souvenir of currency worth months of wages earned ad hoc

and flaunted now to cheapen up this soldier's life . . .  Oh god, this, a lancet

of shame to me much sharper than sex's peccadilloes.  And what of any gentle

thought to sex, even in the father who must bathe his palsied daughter's cross

of genitals, look upon them with that selfsame disgust for nostril, anus, train

himself to squelch all pity for what might be her own desire, simply tend her

 

and leave it be?  Better to pass the sponge headlong.  And when the tender